{"id":1643,"date":"2015-04-01T21:05:44","date_gmt":"2015-04-01T20:05:44","guid":{"rendered":"http:\/\/www.zavod-parasite.si\/eng\/?page_id=1643"},"modified":"2022-12-14T15:07:37","modified_gmt":"2022-12-14T14:07:37","slug":"dalibor-martinis-cv","status":"publish","type":"page","link":"https:\/\/arhiv.zavod-parasite.si\/eng\/dalibor-martinis\/dalibor-martinis-cv","title":{"rendered":"Dalibor Martinis CV"},"content":{"rendered":"<p>Dalibor was born in Zagreb 1947. Lives in Zagreb. Graduated from Academy of Fine Arts in Zagreb. He exhibits since 1969, and works as video artist (until 1992 also in collaboration with Sanja Ivekovi\u0107). He held numerous personal shows, performances and screenings, and participated in many international exhibitions (Biennales: Sao Paolo, Venice,\u00a0 Kwang-ju, Thessaloniki, Cairo; Dokumenta\/Kassel, etc) and film\/video festivals (Berlin, Tokyo, Montreal, Locarno etc.). He had grants from Canada Council (1978) Jaica (Japan 1984), and ArtsLink (USA 1994 and 2010). He was guest professor at Academy of Drama Arts\/Zagreb 1987\/91, and Ontario College of Art\/Toronto 1991\/2; full prof. at Academy of Applied Arts\/Rijeka. He was awarded with several international awards (such as Tokyo Video festival 1984, Locarno 1984, Alpe Adria Film festival\/Triest 1996., T-HT prize 2012). <\/p>\n<p>His works are in the collections of The Museum of Contemporary Art\/Zagreb, The Museum of Modern Art\/New York, Stedelijk Museum\/Amsterdam, ZKM Karlsruhe, New York Public Library, Kontakt\/Erste Bank, Vienna etc.<\/p>\n<p>&#8212;<\/p>\n<p><em><strong>Recent group and individual shows (selected)<\/em><\/strong><\/p>\n<p>2022.<br \/>\n\u201eSmijem se\u2026LMHO\u201c, MSU Zagreb, Zagreb, Croatia<br \/>\nNam June Paik \u2013 In the Groove, MSU Zagreb, Zagreb, Croatia<br \/>\nOur ships, P74 Gallery, Ljubljana<\/p>\n<p>2021.<br \/>\nBeyond Art Groups \u2013 The New Art Apparatus, P74 Gallery, Ljubljana, Slovenia<\/p>\n<p>2019.<br \/>\n<em>Refreshing Memory. When Monumets Revive,<\/em> Gallery Nova, Zagreb, Croatia<br \/>\n<em>P74 KINO: UNSTABLE IMAGES, UNSTABLE TIMES,<\/em> P74 Gallery, Ljubljana, Slovenia<\/p>\n<p>2018.<br \/>\n<em>REZ \/ CUT,<\/em> MSU \u2013 Museum of contemporary Art, Zagreb, Croatia<br \/>\n<em>T-HT Award,<\/em> MSU \u2013 Museum of contemporary Art, Zagreb, Croatia<br \/>\n<em>DOUBLE (SPY) GAME,<\/em> SODA gallery, Bratislava, Slovakia<\/p>\n<p>2017.<br \/>\n<em>ICE FLOE,<\/em> Museo Nacional de Artes Visuales, Montevideo, Uruguay<br \/>\n<em>The Legacy of 1989\/ Case study: the second Yugoslav Documents, Moderna Art Gallery (MG+),<\/em> Ljubljana, Slovenia<br \/>\n<em>Janje moje malo (Part 6),<\/em> HDLU, Zagreb, Croatia<br \/>\n<em>Krivotvorine, dezinformacije I smrznute slike \u2013 DIZAJN DALIBORA MARTINISA 70-ih i 80-ih,<\/em> HDD Gallery, Zagreb, Croatia<br \/>\n<em>Exhibition from the collections \/ Low budget utopias \u2013 second recycling,<\/em>Museum of Contemporary Art Metelkova (+MSUM), Ljubljana, Slovenia<\/p>\n<p>2016.<br \/>\n<em>Dalibor Martinis (retrospective),<\/em> MSU, Zagreb, Croatia<br \/>\n<em>The Seventh Heaven,<\/em> MMSU-Museum of Modern and Contemporary Art, Rijeka, Croatia<br \/>\n<em>Time Robbers,<\/em> Galerija Umjetnina, Split, Croatia<br \/>\n<em>Inside Out,<\/em> Museum of Contemporary Art, Belgrade, Serbia<br \/>\n<em>DM\/1978 Talks to DM\/2010,<\/em> Chelsea Space, London, UK<br \/>\n<em>Dalibor Martinis: Dm 2016 Talking To Dm 2077,<\/em> Umjetnicki paviljon \/ Art Pavilion Zagreb, Croatia<br \/>\n<em>Der \u201eGeist\u201c ist die Memorie,<\/em> Galerie Martin Janda, Vienna, Austria<\/p>\n<p>2015.<br \/>\n<em>New Art For New Society,<\/em> Wroclaw Contemporary Museum, Wroclaw, Poland<br \/>\n<em>Inside Out &#8211; Not so White Cube,<\/em> City Gallery Ljubljana, Ljubljana, Slovenia<br \/>\n<em>Seattle International Film Festival,<\/em> Seattle, USA<br \/>\n<em>Working for The Exhibition in 1969. (personal),<\/em> Gallery SC, Zagreb, Croatia<br \/>\n<em>Experimental Cinema in Eastern Europe 1960-1990, <\/em>BAM, New York, USA<br \/>\n<em>Athens International Film and Video Festival,<\/em> Athens, Ohio<br \/>\n<em>Heroes We Love,<\/em> Maribor Art Galery, Maribor, Slovenia<br \/>\n<em>South by Southeast,<\/em> Osage Gallery, Hong Kong, China<\/p>\n<p>2014.<br \/>\n<em>3rd Mumbai Shorts International Film Festival,<\/em> Mumbai, India<br \/>\n<em>Est-ce que tu m\u2019aimes?,<\/em> public performance, Paris, France<br \/>\n<em>MADATAC 06, Contemporary Festival of New Media Arts, <\/em>Madrid, Spain<br \/>\n<em>Bogota Short Film Festival,<\/em> Bogota, Colombia<br \/>\n<em>Personal Cuts, <\/em>Carre d\u2019art, Musee d\u2019art moderne, Nimes, France<br \/>\n<em>Experimental Cinema in East. Europe 1960-1990, <\/em>National Gallery of Art, Washington, USA<br \/>\n<em>Update\/Post Memory, <\/em>Riesa efau-Kultur forum, Dresden, Germany<br \/>\n<em>60th International Short Film Festival,<\/em> Oberhausen, Germany<\/p>\n<p>2013.<br \/>\n<em>T-HT award<\/em>, Museum of Contemporary Art Zagreb, Croatia<br \/>\n<em>D-0 Ark Underground \u2013 International Biennale,<\/em> Sarajevo\/Konjic, BiH<br \/>\n<em>Time\/Resistance<\/em>,The Israeli Center for Digital Art, Holon, Israel<br \/>\n<em>Artist\u2019s Talk\/ WRO Biennial<\/em>, WRO Art Center, Wroclaw, Poland<br \/>\n<em>Video, televizija, anticipacija,<\/em> Salon Muzeja savremene umetnosti, Beograd, Serbia<br \/>\n<em>Historico Vagabond<\/em>, Alberta Pane Gallery, Paris, France<br \/>\n<em>Amuse Me<\/em>, City Gallery Ljubljana, Slovenia<\/p>\n<p>2012.<br \/>\n<em>Data Recovery <\/em>(personal), Galerija MKC, Split, Croatia<br \/>\n<em>Simultaneous Speech<\/em> (stage performance), Museum of Contemporary Art, Zagreb, Croatia<br \/>\n<em>Triple Picture Show <\/em>(personal), Palais de Tokyo, Paris, France<br \/>\n<em>Taxi avant minuit<\/em>, La Galerie de Locataires\/Fresnoy, Paris, France<br \/>\n<em>Experimental film and video from Croatia<\/em>, Centre Georges Pompidou, Paris, France<br \/>\n<em>11. International Sculpture Quadrennial<\/em>, Riga<br \/>\n<em>The 8th Berlin International Directors\u2019 Lounge<\/em><strong>,<\/strong> Naherholung   Sternchen, Berlin<br \/>\n<em>Upali svijetlo, mrak je<\/em>, MMSU, Rijeka<br \/>\n<em>Video Vortex<\/em>, Museum of Contemporary Art, Zagreb<br \/>\n<em>Screen City Festival<\/em>, Barcelona<br \/>\n<em>Media Forum Festival<\/em>, Moscow<br \/>\n<em>EUROKAZ<\/em>, International Festival of New Theatre, Zagreb<br \/>\n<em>You are kindly invited to attend<\/em>, Open Space, Vienna<\/p>\n<p>2011.<br \/>\n<em>Data recovery <\/em>(personal), Motoren Halle, Dresden<br \/>\n<em>Site Inspection<\/em>, Ludwig Museum, Budapest<br \/>\n<em>Free Port of Art &#8211; CEI<\/em>, Trieste Contemporanea, Triest<br \/>\n<em>Ljubljana Graphic Biennale<\/em>, Museum of Modern Art, Ljubljana<br \/>\n<em>The Other Museum<\/em>, Galerija P74, Ljubljana<br \/>\n<em>Kontakt Sofia \/ from Konakt Art Collection<\/em>, City Art Gallery, Sofia<br \/>\n<em>Socialism&amp;Modernity<\/em>, Museum\u00a0 of Contemporary Art, Zagreb<br \/>\n<em>Scenes from Zagreb, Artists&#8217; Publications,<\/em>, MOMA, New York<br \/>\n<em>Resurrection of Things<\/em>, MIM&amp;MORE Contemporary, Berlin<\/p>\n<p>2010.<br \/>\n<em>D.M. \/1978 Talks to D.M.\/2010<\/em>.,<em>(TV performance) <\/em>Drugi format\/Croatian Television<br \/>\n<em>The Promises of the Past<\/em>, Centre Pompidou, Paris<br \/>\n<em>A Pair of left shoes<\/em>, Museum of Contemporary Art, Zagreb<br \/>\n<em>D.M. talks to D.M<\/em>., Drugi format\/Croatian Television<br \/>\nGalerija V\u017eigalica\/SCCA Ljubljana<\/p>\n<p>2009.<br \/>\n<em>Yangtze project (urban performance)<\/em>, Zagreb<br \/>\n<em>Muortinis <\/em><em>(<\/em><em>personal<\/em><em>)<\/em>, Museum of Applied Arts, Zagreb<br \/>\n<em>A Pair of Left Shoes<\/em>, Bochum Museum, Bochum<br \/>\n<em>DIVA u Galeriji \u0160kuc<\/em>, Galerija \u0160kuc, Ljubljana<br \/>\n<em>Vortex<\/em>, Conference\/Exhibition, Split<br \/>\n<em>Blending Media<\/em>, Conference\/Festival, Gdansk<br \/>\n<em>Political Praxes on (post)Yugoslav Art<\/em><em>, Muzej 25. maj, Beograd<\/em><\/p>\n<p>2008.<br \/>\n<em>Eternal Flame of Rage<\/em><em>(personal)<\/em>, Irregular Temporary Monument, Zagreb<br \/>\n<em>Simultaneous Speech <\/em><em>(personal)<\/em><em>,<\/em> Uni Theatre\/Donumenta, Regensburg<br \/>\n<em>Perspectives on an Archive, <\/em>Western Front, Vancouver<br \/>\n<em>As soon as I open my eyes I see a film<\/em>, Muzeum Sztuki Nowoczesnej, Warsaw<br \/>\n<em>Donumenta<\/em>, Regensburg<br \/>\n<em>October Salon<\/em>, Muzej 25. maj, Beograd<\/p>\n<p>2007.<br \/>\n<em>OctoberReevaluation <\/em><em>(personal)<\/em>, Gallery P74, Ljubljana<br \/>\n<em>Kontakt Belgrade<\/em>, Museum of Contemporary Art, Belgrade<br \/>\nEnvisioning Change, Nobel Peace Center, Oslo<br \/>\n<em>Croatia Calling<\/em>, Cafe Gallery, London<br \/>\n<em>Up Close and Personal<\/em>, Museum of the Moving Image, New York<\/p>\n<p>2006.<br \/>\n<em>Kontakt\/Erste Bank Collection<\/em>, Museum Moderner Kunst, Wien<br \/>\n<em>Eastern Neighbours<\/em>, Cultural Center Babel, Utrecht<br \/>\n<em>La scoperta del corpo elettronico<\/em>, Galleria civica Filippo Scroppo, Torino<\/p>\n<p>2005.<br \/>\n<em>Variable Risk Landscape<\/em><em>(personal)<\/em>, Nevada Museum of Art, Reno<strong> <\/strong><br \/>\n<em>Insert-Retrospective of Croatian Video Art<\/em>, MSZ\/ZV Pavilion 19, Zagreb<br \/>\n<em>Invideo<\/em>, Octagono, Milano<br \/>\n<em>Deconstruction of the Monument<\/em>, Umjetni\u010dka galerija BiH, Sarajevo<br \/>\n<em>L&#8217;art video ex-yougoslave pendant les anneees 70<\/em>, Espace Apollonia, Strasbourg<\/p>\n<p>2004.<br \/>\n<em>Cosmopolis \u2013 Thessaloniki Biennale<\/em>, Greek State Museum, Thessaloniki<br \/>\n<em>Continental Breakfast<\/em>, October Salon, Belgrade<br \/>\n<em>Collected views from East or West<\/em>, Generali Foundation, Vienna<br \/>\n<em>5. Cetinje Biennale \u201eLove It, or Leave It\u201c,<\/em> Cetinje<br \/>\nRecent croatian video i experimental film, Millennium, New York<br \/>\nOstWest, Tanz\/Performance\/Film\/Academy, Vienna<br \/>\nVariable Risk Landscape Project, Muzej suvremene umjetnosti Zagreb<\/p>\n<p>2003.<br \/>\n&#8220;Frame by Frame&#8221;, The Arches, Glasgow; Aix-en-Provance<br \/>\n&#8220;Blood@Honey&#8221;, Sammlung Essl, Vienna<br \/>\n&#8220;Los desastres de la guerra&#8221;, Staedtische Galerie Rosenheim<br \/>\nDie Skulptur im Video, ZKM, Karlsruhe<br \/>\n9. Sarajevo Film Festival, Sarajevo<br \/>\nRencontres Internationales Paris\/Berlin, Podewill, Berlin<br \/>\n<span style=\"text-decoration: underline;\"> <\/span><br \/>\n<span style=\"text-decoration: underline;\">2002.<\/span><br \/>\n&#8220;Broadcasting Project&#8221;, Tehni\u010dki Muzej\/WHW, Zagreb<br \/>\n&#8220;Frame by Frame&#8221;, Laznia Center Gdansk; Krakow<br \/>\n&#8220;Misfits&#8221;, ArtMoscow\/MSU, Moscow<br \/>\n&#8220;Here Tommorow&#8221;, MSU\/Gliptoteka, Zagreb<br \/>\n&#8220;Misfits&#8221;, Kunstraum Kreuzberg\/Bethanien, Berlin<br \/>\n<span style=\"text-decoration: underline;\">2001.<\/span><br \/>\n<em>Body and The East<\/em>, Exit Art, New York<br \/>\nFilmFest, Skopje<br \/>\n<em>Call Me Sarajevo<\/em>, Video Festival, Sarajevo<br \/>\nd&gt;art, DLux Media Arts, Sidney<br \/>\n<em>Recasting the Past: Beneath the Hollywood Tinsel<\/em>, Main Art Gallery CSUF, Los Angeles<br \/>\nLocarno Video Art, Locarno<br \/>\n<span style=\"text-decoration: underline;\">2000.<\/span><br \/>\n<em>Aspekte\/Positionen &#8211; 50 Years of Art in Central Europe<\/em>, Ludwig Museum Budapest<br \/>\n<em>Re-play<\/em>, Generali Foundation, Wien; PrinzMaxPalais, Karlsruhe<br \/>\n<em>All You Need is Love<\/em>, CSW Laznia, Gdansk<br \/>\n<em>ArtEast Collection<\/em>, Moderna galerija, Ljubljana<br \/>\nInternationale Kurzfilmtage, Oberhausen<br \/>\n<em>Dreamcatcher<\/em>, Video festival, Kiev<br \/>\nTraverse Vid\u00e9o, Toulouse<br \/>\n<em>After the Wall<\/em>, National Galerie\/Hamburger Banhof;\u00a0 Liebermann Haus, Berlin<br \/>\n<em>Chinese Whispers<\/em>, Apex Art Gallery, New York<\/p>\n<p>1999.<br \/>\n<em>Bodies in Motion<\/em>, Center for Art Tapes, Toronto<br \/>\nSplit Film Festival, Multimedia Centar, Split<br \/>\n<em>After the Wall<\/em>, Moderna Museet, Stockholm<br \/>\n<em>Aspects\/Positions &#8211; 50 Years of Art in Central Europe <\/em><br \/>\nMuseum Moderner Kunst-Stiftung Ludwig, Vienna<\/p>\n<p>1998.<br \/>\nEuropean Media Art Festival, Dominikanerkirche, Osnabrueck<br \/>\n17<sup>th<\/sup> International Sculpture Conference, Chicago<br \/>\n<em>Body and the East<\/em>, Moderna galerija, Ljubljana<br \/>\n<em>Video\/Film from Croatia<\/em>, Millenium Center, New York<br \/>\n<em>Beyond The Mirror<\/em>, SCCA\/Obala Centar, Sarajevo<br \/>\n7. International Cairo Biennale, Cairo<br \/>\n<em>Fragile Electrons<\/em>, National Gallery of Canada, Ottawa<\/p>\n<p>1997.<br \/>\n<em>Media in Media<\/em>, SCCA\/Mestna galerija, Ljubljana<br \/>\nLAB 6, Centre for Contemporary Art, Warszawa<br \/>\n<em>Invideo \u201997 &#8211; Le forme dello sguardo<\/em>, Triennale di Milano, Milano<br \/>\nBiennale di Venezia, Schola Santa Apollonia, Venezia<br \/>\n<em>The Destabilized Landscape<\/em>, Art Gallery of Ontario, Toronto<br \/>\n<em>Interstanding 2<\/em>, SCCA\/Rotermann\u2019s Arts Centre, Tallinn<br \/>\n<em>Martinis&amp;Ivekovi\u0107<\/em>, Videoteca de Lisboa\/Camara municipal de Lisboa, Lisboa<br \/>\nOstranenie \u201997, Bauhaus, Dessau<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dalibor was born in Zagreb 1947. Lives in Zagreb. Graduated from Academy of Fine Arts in Zagreb. He exhibits since 1969, and works as video artist (until 1992 also in collaboration with Sanja Ivekovi\u0107). He held numerous personal shows, performances and screenings, and participated in many international exhibitions (Biennales: Sao Paolo, Venice,\u00a0 Kwang-ju, Thessaloniki, Cairo; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1284,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1643","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/pages\/1643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/comments?post=1643"}],"version-history":[{"count":25,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/pages\/1643\/revisions"}],"predecessor-version":[{"id":4495,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/pages\/1643\/revisions\/4495"}],"up":[{"embeddable":true,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/pages\/1284"}],"wp:attachment":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/media?parent=1643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}