{"id":1649,"date":"2015-04-01T21:12:05","date_gmt":"2015-04-01T20:12:05","guid":{"rendered":"http:\/\/www.zavod-parasite.si\/eng\/?page_id=1649"},"modified":"2022-12-14T15:08:23","modified_gmt":"2022-12-14T14:08:23","slug":"mladen-stilinovic-cv","status":"publish","type":"page","link":"https:\/\/arhiv.zavod-parasite.si\/eng\/mladen-stilinovic\/mladen-stilinovic-cv","title":{"rendered":"Mladen Stilinovi\u0107 CV"},"content":{"rendered":"<p>Mladen Stilinovi\u0107 (1947 &#8211; 2016)<br \/>\nHe has been exhibiting since 1974.<br \/>\n1969 &#8211; 1976 worked in experimental cinema<br \/>\n1975 &#8211; 1984 member of the Group of Six Artists<\/p>\n<p>&#8212;<\/p>\n<p><em><strong> SELECTED INDIVIDUAL EXHIBITIONS<\/em><\/strong><\/p>\n<p>2022<br \/>\nRed\/Pink: Reflections on Colour, Nova Gallery, Zagreb, Croatia<\/p>\n<p>2021<br \/>\nWord Images: Mangelos \u2013 Mladen Stilinovi\u0107, 1MIRA Madrid, Madrid, Spain<br \/>\nMladen Stilinovi\u0107: A Portrait of the Artist as a Young Man \u201cFilms, Photographs, and Collages\u201d 1973\u20131978, Julius Koller Society, Bratislava, Spai<br \/>\nMladen Stilinovi\u0107: Red\/Pink: Reflections on Colour, P74 Gallery, Ljubljana, Slovenia<\/p>\n<p>2019<br \/>\nPrimer 1, 2, 3, galerie frank elbaz, Paris, France<br \/>\nSmiles, Martin Janda Gallery, Vienna, Austria<\/p>\n<p>2015<br \/>\nWhite Skin, Nogueras Blanchard, Barcelona, Spain<br \/>\n1+2=,  MUAC, Mexico City (MX)<br \/>\nJulije Knifer &#8211; Mladen Stilinovic, Galerie Michael Janssen &#8211; Berlin, Berlin (GER)<\/p>\n<p>2014<br \/>\nWhite Absence, Galerie Martin Janda, Vienna (AT)<br \/>\nNothing Gained with Dice, e-flux, New York, NY (US)<br \/>\nMladen Stilinovic, Espaivisor, Valencia (ESP)<br \/>\nInsulting Anarchy, Croatian Association of Artists, Pula (CR)<br \/>\nMladen Stilinovic, Park View, Los Angeles (US)<br \/>\nMladen Stilinovic, Galerie Frank Elbaz, Paris (F)<\/p>\n<p>2013<br \/>\nPlje\u0161\u0107ite sebi labudovi \/ Applaud to yourselves, Swans, Studio Golo brdo, Rovinjsko selo (HR)<\/p>\n<p>2012<br \/>\nZero for Conduct. A Retrospective, Museum of Contemporary Art, Zagreb (HR)<br \/>\ngb agency, Paris (FR) <\/p>\n<p>2011<br \/>\nH\u00fad r\u00e1! \/ Sing!, Ludwig Museum, Budapest (H)<br \/>\nDialogue \u2013 Cvjetanovi\u0107 \u2013 Stilinovi\u0107, Galerie Elbaz, Paris (F)<br \/>\nInsulting Anarchy, Galerie Martin Janda, Vienna (A)<\/p>\n<p>2010<br \/>\nCrvena nit \/ Red Thread (with Vja\u010deslav Akhunov), Galerija Nova, Zagreb (HR)<br \/>\nRani crte\u017ei i kola\u017ei \/ Early drawings and collages, Lj. Posavskog 9, Zagreb (HR)<br \/>\nArtist\u2019s Books, E-Flux, New York (US)<br \/>\nVOX Contemporary Image, Montr\u00e9al (CA)<br \/>\nI have no Time \u2013 Artist\u2019s Books, Museum of Modern Art, Warsaw (PO)<\/p>\n<p>2009<br \/>\nInsulting the Anarchy \u2013 Sold with old Films, Galerija P-74, Ljubljana (SI)<br \/>\nRadovi sa hranom \/ Works on Food, Lj. Posavskog 9, Zagreb (HR)<br \/>\nArtist\u2019s Books 1972 \u2013 2006, Index Gallery, Stockholm (SE)<br \/>\nSlijepo oru\u017eje \/ Blind Weapon Galerija Mo\u010dvara, Zagreb (HR)<\/p>\n<p>2008<br \/>\nVanabbe Museum, Eindhoven (NL)<br \/>\nVrije\u0111anje anarhije \/ Insulting Anarchy, Muzej savremene umjetnosti Republike Srpske, Banja Luka (BS)<br \/>\nOn Money and Zeroes\u2026, Centre for Contemporary Arts, Glasgow (UK)<br \/>\nGalerie im Taxispalais, Innsbruck (AT)<br \/>\nBijela odsutnost \/ White Absence, Lj. Posavskog 9, Zagreb (HR)<\/p>\n<p>2007<br \/>\nKnjige umjetnika \/ Artist\u2019s Books, Lj. Posavskog 9, Zagreb (HR)<br \/>\nEksploatacija mrtvih \u2013 crte\u017ei \/ Exploitation of the Dead \u2013 drawings, Lj. Posavskog 9, Zagreb (HR)<br \/>\nI am Selling M. Duchamp, Rakousk\u00e9 kulturni f\u00f3rum, Prague (TS)<br \/>\nVrije\u0111anje anarhije \/ Insulting Anarchy, Kibla, Maribor (SI)<br \/>\nSubtracting Zeroes, Platform Garanti, Istanbul (TR)<br \/>\nVrije\u0111anje anarhije \/ Insulting Anarchy, Lj. Posavskog, Zagreb (HR)<\/p>\n<p>2006<br \/>\nAbout Money and Zeroes, Grazer Kunstverein, Graz (A)<br \/>\nVau \u2013 vau \/ Woof \u2013 Woof, Galerija Nova, Zagreb (HR)<\/p>\n<p>2005<br \/>\nFotografije \/ Photographs, Lj. Posavskog 9, Zagreb (HR)<br \/>\nUmetnik na delu \/ Artist at Work, Galerija \u0160KUC, Ljubljana (SI)<br \/>\nNovac \/ Money, Lj. Posavskog 9, Zagreb (HR)<\/p>\n<p>2004<br \/>\nRije\u010di \u2013 Parole \/ Words \u2013 Slogans, Lj. Posavskog 9, Zagreb (HR)<br \/>\nDrei Tage bis zum Ende der Kunst \/ Three Days Till the End of Art, Galerija Ghetto, Split (HR)<br \/>\nNovine \/ Newspapers, Lj. Posavskog 9, Zagreb (HR)<\/p>\n<p>2003<br \/>\nCrveno \u2013 Roza  \/ Red \u2013 Pink Room, Lj. Posavskog 9, Zagreb (HR)<br \/>\nZavedi me \/ Seduce me, Multimedia Club \u201cAtelier I\u201d, Pore\u010d (HR)<\/p>\n<p>2001<br \/>\nWhite Absence, Glassstreet Gallery, Melbourne (AU)<br \/>\nKangaroo Court, Scots Church Artists Association Contemporary, Sydney (AU)<br \/>\nWhite Absence, The Guss Fisher-Gallery University of Auckland, Auckland (NZ)<br \/>\nCinizam siroma\u0161nih \/ Cynicism of the Poor, Muzej suvremene umjetnosti, Zagreb (HR)<\/p>\n<p>1998<br \/>\nNovac \/ Money, Galerija Gal, Rijeka (HR)<\/p>\n<p>1997<br \/>\nBijela odsutnost \/ White Absence, Studio Josip Ra\u010di\u0107, Zagreb (HR)<br \/>\nGalerija Anonimus, Ljubljana (SI)<\/p>\n<p>1996<br \/>\nNorth Adelaide School of Art, Adelaide (AU)<br \/>\nCBD Gallery, Sydney (AU)<br \/>\nOdsutnost \u2013  Po\u010detak \/ Absence \u2013 Beginning, Galerija Dante Mario Cettina, Umag (HR)<br \/>\nZid, ko\u017ea \u2013 crno i bijelo \u2013 ni\u0161ta \/ Wall, Skin \u2013 Black and White \u2013 Nothing, Galerija Sv. Toma, Rovinj (HR)<\/p>\n<p>1995<br \/>\nGalerija Kova\u010dka 3, Dubrovnik (HR)<br \/>\nBijela odsutnost \/ White Absence, Muzej Bordskog Posavlja, Slavonski Brod (HR)<\/p>\n<p>1994<br \/>\nBijele slike \/ White Paintings, Galerija Hajdarovi\u0107, Po\u017eega (HR)&#8217;<br \/>\nGeometrija kola\u010da \/ Geometry of Cakes, Mala galerija \/ Moderna galerija, Ljubljana (SI) \/ Galerija Meduza, Koper (SI)<br \/>\nRetro-avangarda: radovi o novcima i nulama \/ Retro-avantgarde: Works about Money and Zeroes, Visconti Fine Arts, Ljubljana (SI)<\/p>\n<p>1993<br \/>\nGeometrija vremena: kola\u017ei 1993 \u2013 1977 \/ Geometry of Time: Collages 1993 \u20131977, Galerija CKAO, Zagreb (HR)<\/p>\n<p>1992<br \/>\nJezi\u010dke igre \/ Language Games, Galerija Dante Marino Cettina, Umag (HR)<\/p>\n<p>1991<br \/>\nExhibition on Money, Death, Zeroes and Cakes, First Draft (West), Sydney (AU)<\/p>\n<p>1990<br \/>\nAusbeutung der Toten \/ Exploitation of the Dead, Leopold H\u00f6sch Museum, D\u00fcren (DE)<br \/>\nNarodno kazali\u0161te August Cesarec, Vara\u017edin (HR)<br \/>\nStore 5, Melbourne (AU)<\/p>\n<p>1989<br \/>\nGalerie d \/ Ingrid Daci\u0107, T\u00fcbingen (DE)<br \/>\nModerna vremena bookstore, Zagreb (HR)<\/p>\n<p>1988<br \/>\nEksploatacija mrtvih 1984 \u2013 1988 \/ Exploitation of the Dead 1984 \u2013 1988, Galerija Pro\u0161irenih medija, Zagreb (HR)<\/p>\n<p>1986<br \/>\nAusbeutung der Toten \/ Exploitation of the Dead, Studio d \/ Ingrid Daci\u0107, T\u00fcbingen (DE)<\/p>\n<p>1985<br \/>\nKlub Collegium Artisticum, Sarajevo (BA)<\/p>\n<p>1984<br \/>\nInstalacije \/ Installations, Studio Galerije suvremene umjetnosti, Zagreb (HR)<br \/>\nInstalacije \/ Installations, Galerija \u0160KUC, Ljubljana (SI)<\/p>\n<p>1982<br \/>\nGalerija Pro\u0161irenih medija, Zagreb (HR)<br \/>\nRadovi o jeziku i novcu \/ Works on Language and Money, Kavana hotela Slavija, Opatija (HR)<\/p>\n<p>1981<br \/>\nStaviti na javnu raspravu \/ To Be Put up for Public Debate, Galerija SKC, Belgrade (RS)<br \/>\nProizvodni i likovni radnik \u2013 o za\u0161titi pri radu \/ Production Worker and Artist \u2013 on Safety at Work, Galerija Doga\u0111anja, Zagreb (HR)<\/p>\n<p>1980<br \/>\nIz po\u010detnica \/ From the Premier,Fabrika Petar Velebit, Belgrade (RS)<br \/>\nPjevaj! \/ Sing!, Galerija suvremene umjetnosti, Zagreb (HR)<br \/>\nKnjiga \u2013 rad \/ Bookworks (with Vlado Martek), Galerija SC, Zagreb (HR) \/ Galerija sre\u0107na nova umetnost, Belgrade (RS)<\/p>\n<p>1979<br \/>\nCrveno \u2013 Roza \/ Red \u2013 Pink, Podrum, Zagreb (HR)<\/p>\n<p>1978<br \/>\nEvidencija rada (1970 \u2013 19 78) \/ Register of work (1970 \u2013 1978), Vo\u0107arsko naselje 128, Zagreb (HR)<br \/>\nRad ne mo\u017ee ne postojati \/ Work cannot nonexist, Izlog Studentskog centra, Zagreb (HR)<br \/>\nA4, Podrum, Zagreb (HR)<br \/>\nProjekcija filmova \/ Film Projection, Galerija SKC, Belgrade (RS)<\/p>\n<p>1977<br \/>\nJugoslavenski eksperimentalni film \u2013 Mladen Stilinovi\u0107 \/ Yugoslav Experimental Cinema \u2013 Mladen Stilinovi\u0107, Centar za multimedijalna istra\u017eivanja, Zagreb (HR)<\/p>\n<p>1976<br \/>\nGalerija Nova, Zagreb (HR)<br \/>\nIzva\u0111en iz gomile \/ Removed from the Crowd (artist\u2019s books), Gallery SKC, Belgrade (RS)<br \/>\nIzlog crveni \/ Red Shop-Window, Izlog u umjetnost, Vo\u0107arska 5, Zagreb (HR)<\/p>\n<p>&#8212;<\/p>\n<p><em><strong>SELECTED GROUP EXHIBITIONS<em><\/strong><\/p>\n<p>2022<br \/>\n\u201eSmijem se\u2026LMHO\u201c, MSU Zagreb, Zagreb, Croatia<br \/>\nArt at Work \/ At the Crossroads Between Utopianism and (In)Dependence, Museum of Contemporary Art Metelkova (+MSUM), Ljubljana, Slovenia<br \/>\nOur ships, P74 Gallery, Ljubljana<\/p>\n<p>2021<br \/>\nPoetry&#038;Performance, The Eastern Perspective, Pet\u0151fi Literary Museum, Kass\u00e1k Museum, Budapest<br \/>\nBigger Than Myself: Heroic Voices from Ex-Yugoslavia, MAXXI \u2013 Museo Nazionale delle Arti del XXI secolo, Rome<br \/>\nRealize! Resist! React! Performance and Politics in the 1990s in the Post-Yugoslav Context, Museum of Contemporary Art Metelkova, +MSUM,  Ljubljana<br \/>\nA Show About Nothing, BY ART MATTERS, O\u014dEli, Hangzhou, China<br \/>\nBeyond Art Groups \u2013 The New Art Apparatus, P74 Gallery, Ljubljana, Slovenia<br \/>\nEnjoy &#8211; The mumok Collection in Change, MUMOK, Vienna, Austria<br \/>\nREALIZE! RESIST! REACT!, Performance and Politics in the 1990s in the Post-Yugoslav Context, Museum of Contemporary Art Metelkova (+MSUM), Ljubljana, Slovenia<\/p>\n<p>2020<br \/>\nX, FRAC des Pays de la Loire, Carquefou, France<br \/>\nColecci\u00f3n \u2013 De la posguerra a la contemporaneidad, Es Baluard Museu d\u2019Art Modern, Palma de Mallorca, Spain<\/p>\n<p>2019<br \/>\nThe Anarchistic Amateur\u00b4s Alphabet, <rotor> association for contemporary art, Graz, Austria<br \/>\nRefreshing Memory. When Monumets Revive, Gallery Nova, Zagreb, Croatia<br \/>\nCollective Exhibition for a Single Body, The Private Score, Vienna 2019, gb agency, Paris France<br \/>\nCollective Exhibition for a Single Body, The Private Score, Vienna 2019, Haus Wittgenstein\/Lidl food market\/Tanzquartier Wien , Vienna, Austria<\/p>\n<p>2018<br \/>\nREZ \/ CUT, MSU \u2013 Museum of contemporary Art, Zagreb, Croatia<br \/>\nHELLO WORLD. REVISING A COLLECTION, Hamburger Bahnhof, Museum f\u00fcr Gegenwart, Berlin, Germany<br \/>\nGeneral Rehearsal, V-A-C Foundation, Moscow, Russia<br \/>\nLeft Performance Histories, Neue Gesellschaft f\u00fcr Bildende Kunst(NGBK), Berlin, Germany<\/p>\n<p>2017<br \/>\nEconomize! On the Relationship of Art and Economy, Ludwig Museum &#8211; Museum of Contemporary Art, Budapest, Hungary<br \/>\nEverything we see could also be otherwise (My sweet little lamb), The Showroom, London, GB<br \/>\nChinafrika, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst (GfZK), Leipzig, Germany<br \/>\n57th Venice Biennale, La Biennale di Venezia, Venice, Italy<br \/>\nThe Legacy of 1989\/ Case study: the second Yugoslav Documents, Moderna Art Gallery (MG+), Ljubljana, Slovenia<br \/>\nJanje moje malo (Part 6), HDLU, Zagreb, Croatia<br \/>\nNon-Aligned Modernity, Ludwig Museum, Budapest, Hungary<br \/>\nMehr als nur Worte [\u00dcber das Poetische], Kunsthalle Wien Museumsquartier, Vienna, Austria<br \/>\nJanje moje malo (Sve \u0161to vidimo moglo bi biti i druga\u010dije), Institute for Contemporary Art, Zagreb, Croatia<br \/>\nJanje moje malo (Sve \u0161to vidimo moglo bi biti i druga\u010dije), Softi\u0107 appartment, Zagreb, Croatia<br \/>\nExhibition from the collections \/ Low budget utopias \u2013 second recycling, Moderna Art Gallery (+MSUM), Ljubljana, Slovenia<\/p>\n<p>2016<br \/>\nJanje moje malo (Sve \u0161to vidimo moglo bi biti i druga\u010dije), Gallery Nova, Zagreb, Croatia<br \/>\nCold Front From The Balkans, Pera Museum, Istanbul, Tur\u010dija<br \/>\nNon-Aligned Modernity, FM Centro per l\u2019Arte Contemporanea, Milano, Italy<br \/>\nMIG 21, Kibla Portal, Maribor, Slovenia<br \/>\n56. Annale: Brdo 1976-2016, Istarska sabornica, Pore\u010d, Croatia<br \/>\nTime Robbers, Galerija Umjetnina, Split, Croatia<br \/>\nLow Budget Utopias, Museum of Contemporary Art Metelkova (MSUM), Ljubljana, Slovenia<br \/>\nShape of Time \u2013 Future of Nostalgia, National Museum of Contemporary Art (MNAC), Bucharest, Romania<br \/>\nDer \u201eGeist\u201c ist die Memorie, Galerie Martin Janda, Vienna, Austria<br \/>\nLa R\u00e9plica Infiel (The Unfaithful Replica), CA2M, Madrid, Spain<br \/>\nNot Knowing When the Dawn Will Come, Silvia Cintra + Box 4, Rio de Janeiro, Brazil<br \/>\nFluidity, Kunstverein in Hamburg, Hamburg, Germany<br \/>\nOur Work, Lunds konsthall, Lund, Sweden<br \/>\nMonuments Should Not Be Trusted, Nottingham Contemporary, Nottingham, UK<\/p>\n<p>2015<br \/>\nDemonstrating Minds &#8211; Disagreements In Contemporary Art, Kiasma &#8211; Museum of Contemporary Art, Helsinki, Finland<br \/>\nNew Art For New Society, Wroclaw Contemporary Museum, Wroclaw, Poland<br \/>\nConstruction to Transmission: Art in Eastern Europe and Latin America, 1960\u20131980, MoMA, New York, USA<br \/>\nde la fatiga, Fabra i Coats, Barcelona Contemporary Art Center, Barcelona, Spain (SP)<br \/>\nARK D-0, Biennial of Contemporary Art, D-0 ARK Underground, Konjic (BA)<br \/>\nScenes for a New Heritage: Contemporary Art from the Collection, Contemporary Galleries, MoMA &#8211; Museum of Modern Art New York, New York (US)<br \/>\nGrammar of Freedom \/ five Lessons: Works from Arteast 2000+, Garage Museum of Contemporary Art, Moskau (RUS)<br \/>\nArt Has No Alternative (An Archive of Artists in Action), Tranzit Slovakia, Bratislava (SK)<br \/>\nThe Translator\u2019s Voice, Fonds Regional d\u2019Art Contemporain de Lorraine, Metz (FR)<br \/>\nShifters: Signaling in Latin America and Eastern Europe, gba agency, Paris (FR)<\/p>\n<p>2014<br \/>\nMouvement III &#8211; The City Performed. Le Mouvement &#8211; Performing the City, Kunsthaus CentrePasquArt, Biel (CH)<br \/>\nFragile Sense of Hope, me Collectors Room\/Stiftung Olbricht, Berlin (DE)<br \/>\nartevida, Casa Fran\u00e7a-Brasil, Rio de Janeiro (BR)<br \/>\nIt May be That Beauty Has Strengthened Our Resolve, Para Site, Hong Kong (CN)<br \/>\n aBook [artist\u2019s book], Galerija Gal\u017eenica, Velika Gorica (HR)<br \/>\nAtlas of Modernity \u2013 20th and 21st Century Art Collection, Muzeum Sztuki w Lodzi, Lodz (PL)<br \/>\nIn These Great Times, Kunstnernes Hus, Oslo (NO)<br \/>\nTabula Rasa, Muzej svremene umjetnosti Istre, Pula (HR)<br \/>\nPlaytime, Kunstbau, M\u00fcnchen (DE)<br \/>\nCrime In Art, Museum of Contemporary Art, Krakow (PL)<br \/>\nMladen Stilinovi\u0107: May Day &#038; Tadej Poga\u010dar: Snow In April, Espaivisor, Valencia (ES)<br \/>\nPoliticization of Friendship, MMSU, Ljubljana (SI)<br \/>\nPersonal Cuts, Carr\u00e9 d\u2019Art \u2013 Mus\u00e9e d\u2019Art Contemporain, N\u00eemes (FR)<br \/>\nUne histoire (art archi design \/ des ann\u00e9es 80 \u00e0 nos jours) \/ A History (art architecture design, from the 80s to now), The collection of the Mus\u00e9e national d\u2019art moderne Centre Pompidou, Paris (FR)<br \/>\nLe Mouvement: Performing the City, Biel (CH)<br \/>\nBorroworros: In Search of Symmetry, HDLU, Zagreb<br \/>\nI would prefer not to, Stedelijk Museum Bureau, Amsterdam (NL)<br \/>\nDraga umjetnost, Gallery Nova, Zagreb (CR)<br \/>\nUn Saber realmente \u00fatil, Museo Nacional Centro de Arte, Reina Sofia, Madrid (ES)<br \/>\nThe Century oft he Bed: Points of View, Galerie Ernst Hilger, Wien (A)<br \/>\nThe Praise of Laziness, Trade Gallery, Nottingham (GB)<br \/>\nEstetika elektriciteta \u2013 spiritualnost i vizualna umjetnosti iz fundusa MMSU, Mali salon, MMSU, Rijeka, (CR)<br \/>\nPermanent Playfulness, Mendes Wood DM, Sao Paulo (BRA)<br \/>\nFactory Showroom: Idleness, Jacob Lawrence Gallery, University of Washington, Seattle (US)<\/p>\n<p>2013<br \/>\nDoing what you Want, Henie Onstad Kunstsenter, Oslo (NO)<br \/>\nWays of working: the incidental object, Fondazione Merz, Torino (IT)<br \/>\nZero Point of Meaning. Non-functional, Non-representational, Elementary, Experimental and Group Conceptual Photography in Croatia, Camera Austria Graz (AT)<br \/>\n2013 Carnegie International, Carnegie Museum of Art, Pittsburgh (US)<br \/>\n0 Performance \u2013 The fragile beauty of crisis, Moscow State Exhibition Hall &#8220;New Manege&#8221;, Moscow (RU)<br \/>\nDear Art, Calvert 22 Gallery, London (UK) The Program, Gallery 400, Chicago, IL (US)<br \/>\nOne Step Forward, Two Steps Back, Times Museum, Guangdong (CN)<br \/>\nThe Present and Presence: Repetition 4 &#8211; Micro-political Situations, Museum of Contemporary Art Metelkova, Ljubljana (SI)<br \/>\nCritique and Crises. Art in Europe since 1945, Kumu Art Museum of Estonia, Tallinn (EE)<br \/>\nTabula Rasa: The Primary and Analytical in Croatian Art, Gliptoteka HAZU, Zagreb (HR)<br \/>\nABCDEFGHI, Marabouparken, Sundbyberg (SE)<br \/>\nGroup Show, galerie frank elbaz, Paris (FR)<br \/>\nEkstravagantna tijela: ekstravagantne godine \/ Extravagant Bodies: Extravagant Age, Kontejner, Klovi\u0107eci dvori, Zagreb (HR)<br \/>\nLaziness: The Last Taboo, Argos Brouillon, Brussels (BE)<br \/>\nRije\u010dnik svakodnevnih interakcija, Galerija Prozori, Zagreb (HR)<br \/>\nNothing is Normal, Bureau publik, Kopenhagen (DK)<br \/>\nInternational Short Film Festival, Oberhausen (DE)<br \/>\nThe Desire For Freedom. Art in Europe since 1945, Palazzo Reale, Milan (IT), Art Museum of Estonia, Tallinn (EE)<br \/>\nEncyclopedia of Failure, Taman Ismail Marzuki, Jakarta Biennale, Jakarta (ID)<br \/>\nDo it, Manchester Art Gallery, Manchester (UK)<br \/>\nDo as you like, Henie Onstad Art Centre, Hovikodden (NO)<br \/>\nABook (Artist\u2019s Book), Galerija Gal\u017eenica, Zagreb (HR)<br \/>\nFormer West, Haus der Kulturen der Welt, Berlin (DE)<br \/>\nLikovna Kolonija Rovinji 2013, Zavi\u010dajni muzej, Rovinj (HR)<br \/>\nTransfer 1995\u20132010 \u2013 Arhiv I, Hrvatsko dizajnersko dru\u0161tvo, Zagreb (HR) Rje\u010dnik svakodnevnih interakcija, Galeriji Prozori, Zagreb (HR)<br \/>\nIt May Be That Beauty Has Strengthened Our Resolve, Para\/Site Art Space, Hong Kong (CN)<br \/>\nBon Travail, ARGOS Centre for Art and Media, Brussels (BE)<br \/>\n5th Moscow Biennale, Moskau (RU)<br \/>\nJakarta Biennale, Jakarta (ID)<br \/>\nWriting with the other hand is imagining, Studio One \/ Studio two, Kairo, (EG)<\/p>\n<p>2012<br \/>\nMoving Forwards, Counting Backwards, MUAC, Mexico City (US)<br \/>\nBleibender Wert, Kunsthaus Bregenz, Bregenz (AT)<br \/>\nSpirits of Individualism, Van Abbemuseum, Eindhoven (NL)<br \/>\nFOR YOU, Museum Sztuki, Lodz (P)<br \/>\nThe Present and Presence, Moderna Galerija, Ljubljana (SL)<br \/>\nThe 53th October Salon &#8220;Good Life&#8221;, Belgrade Cultural Centre, Belgrade (RS)<br \/>\nOpen Systems Wien, Zentrum f\u00fcr Kunstprojekte, Wien (AT)<br \/>\nParque Industrial, Galeria Luisa Strina(BR)<br \/>\nOur work is never over, Centro de Creaci\u00f3n Contempor\u00e1nea, Madrid (ES)<\/p>\n<p>2011<br \/>\nMultiplizieren ist Menschlich, Edition Block, Berlin (DE)<br \/>\nOstalgia, New Museum, New York (US)<br \/>\nThis is ALL Film!, Moderna Galerija, Ljubljana (SL)<br \/>\nMuseum of Parallel Narratives, In the Framework of L\u00b4Internationale, MACBA, Barcelona (ES)<br \/>\nDump Time \u2013 F\u00fcr eine Praxis des Horizontalen \/ Dump Time \u2013 For a Practice of Horizontality, Shedhalle, Zurich (CH)<br \/>\nVolume Collection, Muzej moderne i suvremene umjetnosti, Rijeka (HR) \/ Multimedijalni kulturni centar, Split (KR)<br \/>\nMuseum of Speech, Extra City, Antwerp (NL)<br \/>\nPertaining to a profession on proverbially energetic and nervous, ISCP, New York (US)<br \/>\nInternacionala \/ The International \u2013 Museum of Parallel Naratives, MACBA, Barcelona (ES)<br \/>\nKratki prizori \/ Short Images, Galerija A\u017d, Zagreb (HR)<br \/>\nNulta to\u010dka zna\u010denja \/ Zero Meaning, Umjetni\u010dki paviljon, Zagreb (HR)<br \/>\nParticolare \u2013 Percorsi di democrazia \/ Particolare \u2013 Paths of Democracy, Signum Foundation Palazzo Dona, Venice (IT)<br \/>\nPodru\u010dja zastoja \/Standstill, Titov brod \u201cGaleb\u201d, Rijeka (HR)<br \/>\nLiving on the edge of a silver future, Galerie 5020, Salzburg (AT)<br \/>\nThe Global Contemporary \u2013 Art Worlds after 1989, ZKM, Karlsruhe (DE)<br \/>\nA Complicated Relation, part I, Kalmar Konstmuseum, Kalmar (SE)<br \/>\nGalicia\/ Lost Stories, MCK SOKOL Center for Art, Nowy Sacz (PL)<br \/>\nThe NY Art Book Fair, 2011, Printed Matter in MoMa PS1, New York (US)<\/p>\n<p>2010<br \/>\nLes comp\u00e9tences invisibles \/ The Invisible Skills, Maison Populaire, Montreuil (FR)<br \/>\nQuartet \u2013 Four Biennials Reflected in Prints, Mednarodni grafi\u010dni likovni center, Ljubljana (SL)<br \/>\nISIMSIZ, Edition Block, Tanas, Berlin(DE)<br \/>\nHungry Man, Reach for the Book. It is a Weapon!, Printed Matter, New York (US)<br \/>\nPar lijevih cipela \/ A Pair of Left Shoes, Muzej suvremene umjetnosti, Zagreb (HR)<br \/>\nHistory of Art, the Curators\u2019 Series #3, David Roberts Art Foundation Fitzrovia, London (UK)<br \/>\nK\u00fcnstler in der Kunst Gesellschaft \/ Artist in Art Society, Motorenhalle, Dresden (D) \/ Emil Filla Gallery, Usti nad Labem (CZ)<br \/>\nLes  promesses du pass\u00e9 \/ Promises of the Past, Centre Pompidou, Paris (FR)<br \/>\nKontakt\u2026aus der Sammlung der Erste Bank-Gruppe \/ Kontakt\u2026 Works from the Collection of Erste Bank Group, Kutna Hora, near Prague (CZ)<br \/>\nOver the Counter, M\u0171csarnok, Budapest (HU)<br \/>\nUneven Geographies: Art and Globalization, Nottingham Contemporary, Nottingham (UK)<br \/>\nUmjetnost uvijek ima posljedice \/ Art Always Has Consequences, Ex Muzej suvremene umjetnosti, Zagreb (HR)<br \/>\nThe Renaming Machine, Open Space \u2013 Zentrum f\u00fcr Kusntprojekte, Vienna (AT)<br \/>\nVolume Collection, Fondazione Bevilacqua la Masa, Venice (IT)<br \/>\nMissread \u2013 Artists Books Fair, KW Institute for Contemporary Art, Berlin (DE)<br \/>\nBlind Date Conversation \u2013 Art Book Fair, Ljubljana (SL)<br \/>\nTu smo 2 \/ Here We Are 2, Muzej suvremene umjetnosti Istre, Pula (KR)<br \/>\nGosti na \u017ditanjaku \/ Guests at \u017ditnjak, Atelieri \u017ditnjak, Zagreb (HR)<br \/>\nYou are Kindly Invited to Attend, Aanant and Zoo \/ Kunstsaele, Berlin (DE)<br \/>\nEksprimentalni film u Yogoslaviji 1951 \u2013 1991 \/ Experimental Film in Yugoslavia 1951 \u2013 1991, Moderna galerija, Ljubljana (SL)<br \/>\nIn Full Bloom, Galeria Raffaela Cortese, Milan (IT)<br \/>\nUral Industrial Biennial, National Center for Contemporary Art, Ekaterininburg (BG)<br \/>\nWhat happens to the hole when the cheese is gone \u2013 a selection from 11th Istanbul Biennial, Museo Riso, Catania (IT)<br \/>\nMardin Biennial, Mardin (TR)<br \/>\nWorkers Leaving the Workplace, Muzeum Sztuki, Lodz (PL)<br \/>\nUnmistakable Sentences \u2013 the Collection Revisited, Ludwig Museum, Budapest (HU)<br \/>\nFactory Makers, ISCP, New York (US)<\/p>\n<p>2009<br \/>\nRevolution I Love You, International Project Space, Birmingham (UK)<br \/>\nArtEast 2000+ Acquisitions in the Moderna galerija Ljubljana (SL), Umetnosna galerija, Maribor (SL)<br \/>\nManifest Destiny, Extra City, Antwerp (NL)<br \/>\nNevidljiva povijest izlo\u017ebi \/ Invisible History of Exhibitions, Galerija Nova, Zagreb (HR)<br \/>\nA Mancha Humana \/ The Human Stain \u2013 Conceptual Art from the Collections, Centro Galego de arte Contempor\u00e1nea, Santiago de Compostela (ES)<br \/>\nStanje stvari \/ The State of Affairs,Galerija Marino Cettina, Umag (KR)<br \/>\nPerforming the East, Salzburger Kunstverein, Salzburg (AT)<br \/>\nThe Making of Art, Schirin Kunsthalle, Frankfurt (DE)<br \/>\nKriza \/ Crisis, HDLU Istre, Muzej suvremene umjetnosti Istre, Pula (KR)<br \/>\nIzlo\u017eba stalnog postava \/ Museum Collection, Galerija umjetnina, Split (KR)<br \/>\nThe Quick and the Dead, Walker Art Center, Minneapolis (US)<br \/>\nTake the Money and Run, De Appel, Amsterdam (NL)<br \/>\nA Pair of Left Shoes, Bochum Museum, Zagreb (HR)<br \/>\nThe Pain Game, Nosbaum and Reding Art Contemporain, Luxembourg (LU)<br \/>\nWhat Keeps Mankind Alive?, 11th  Istanbul Biennial, Istanbul (TR)<br \/>\nPoetry Marathon, Serpentine Gallery, London (UK)<br \/>\nTime Bank, Friez Art Fair, London (UK)<br \/>\nNew Old Cold War \/ Post-Socialist Countries Experience, Red October Chocolate Factory, Moscow (RU)<br \/>\n25 internacionalni festival eksperimentalnog filma i videa \/ 25th International Experimental Film and Video Festival, Studentski centar, Zagreb (HR)<br \/>\nThe Artist in the (art) Society, Kunnsthalle Palazzo, Liestal (CH)<br \/>\nSubdokumenta \/ SubDocumenta, Skenderija, Sarajevo (BA)<br \/>\nPoliti\u010dke prakse (post)Jugoslovenske umetnosti \/ Political Practices in (post)Yugoslav Art, Muzej istorije Jugoslavije, Belgrade (RS)<br \/>\nTypopass. Critical Design &#038; Conceptual Typography, Platan Gallery, Budapest (HU)<br \/>\nThe Renaming Machine, Galerija Miroslav Kraljevi\u0107, Zagreb (HR)<br \/>\nPlay Van Abbe. Part 1 \u2013 The Game and the Players, Van Abbemuseum, Eindhoven (NL)<br \/>\nIzva\u0111en iz gomile \/ Removed from the Crowd, Galerija \u0160KUC, Ljubljana (SL)<br \/>\nStalni postav \/ Museum Collection, Muzej suvremene umjetnosti, Zagreb (HR)<br \/>\nHistory, Memory, Identity: Contemporary photography from Eastern Europe, Ex Ospedale Sant\u2019 Agostino, Modena (IT)<\/p>\n<p>2008<br \/>\nArt Sheffield 08, Sheffield Contemporary Art Forum (UK)<br \/>\nOnce\/ Again, Tanzquatier, Vienna (AT)<br \/>\n\u010clen 23 \/ Article 23, Galerija \u0160KUC, Ljubljana (SL)<br \/>\nKontakt\u2026aus der Sammlung der Erste Bank Gruppe \/ Kontakt\u2026 Works from the Collection of Erste Bank Group, Institute of Contemporary Art, Duna\u00fajv\u00e1ros (HU)<br \/>\nRevolution I Love You, Contemporary Art Centre, Thessaloniki (GR)<br \/>\nArt Reclaims Foreign Affairs, Rotor on the Conference \u201cNew Paradigms, New Models \u2013 Culture in the EU\u2019s External Relations\u201d, Ljubljana (SL)<br \/>\nComa \/ M\u00e4nnerfantasien \/ Male Fantasies,Centre for Opinions in Music and Art, Berlin (DE)<br \/>\nAs Soon as I Open My Eyes I See a Film, Museum of Modern Art, Warsaw (PL)<br \/>\nKnjiga i \u010dasopis kao umetni\u010dki rad \/ Book and Magazine as Artwork, Galerija Atrijum Biblioteke grada Belgrade (RS)a, Belgrade (RS)<br \/>\nKonceptualna umjetnost \/ Conceptual Art, Galerija PM, Zagreb (HR) \/ Umetnosna galeria, Maribor (SL)<br \/>\nFormalno \u2013 anga\u017eirano \/ Formal \u2013 Engaged \u2013 from the MMSU Collection, Muzej moderne i suvremene umjetnosti, Rijeka (HR)<br \/>\nBrussels Biennial 1, Brussels (BE)<br \/>\nQuartet, Tanas, Berlin (DE)<br \/>\nU-TURN \u2013 Quadriennial for Contemporary Art, Copenhagen (DK)<br \/>\nUmetnik gra\u0111anin \u2013 4. Oktobarski salon \/ Artist citizen \u2013 4th October Salon, Belgrade (RS)<br \/>\nArt as a Gift, Iasi Biennale, Iasi (RO)<br \/>\nTvr\u0111ava@rt-komunikacij \/ The Fortress@rt- communication, Galerija Ru\u017ei\u0107, Slavonski Brod (SL)<br \/>\nIch kann mir nicht jeden Tag ein Ohr abschneiden \u2013 Dekonstruktionen des K\u00fcnstlermythos \/ I can\u2019t slice off an ear every day \u2013 Deconstructing the Myth of the Artist, Hamburger Bahnhof, Berlin (DE)<br \/>\nWhy Here is Always somewhere Else, Badischer Kunstverein, Kahrlsruhe (DE)<br \/>\nOltari avant-garde \/ Altars of Avant-garde, Galerija Klovi\u0107evi dvori, Zagreb (HR)<br \/>\nOperacija grad 2008 \/ Operation Town 2008, Zagreb (HR)<br \/>\nThe Renaming Machine, Galerija Jakopi\u010d, Ljubljana (SL)<\/p>\n<p>2007<br \/>\n20. slavonski biennale \/ 20th Slavonian Biennial, Galerija likovnih umjetnosti, Osijek (HR)<br \/>\nKontakt Belgrade (RS) \u2013 Works from the Collection of Erste Bank Group, Muzej savremene umetnosti, Belgrade (RS)<br \/>\nRubne posebnosti: Avangardna umjetnost u regiji \/ Marginal Distinctiveness \u2013 Avant-garde Art in the Region, Muzej moderne i suvremene umjetnosti, Rijeka (HR)<br \/>\nSchmertz \/ Pain, Hamburger Bahnhof and Medizinhistorische Museum, Berlin (DE)<br \/>\nContemporary Art Collection Marino Cettina, Galerija Marin, Umag (HR)<br \/>\nAvangardne tendencije u hrvatskoj umjetnosti \/ Avant-garde Tendencies in Croatian Art, Klovi\u0107evi dvori, Zagreb (HR)<br \/>\nO nepoznatim radovima \/ On the Unknown Works, Galerija \u0160KUC, Ljubljana (SLO) \/ Art radionica Lazareti, Dubrovnik (HR)<br \/>\n42. Zagreb (HR)a\u010dki salon vizualne umjetnosti \/ 42nd Zagreb (HR) Salon of Visual Art, HDLU, Zagreb (HR)<br \/>\nHistory Started Playing with My Life, The Israeli Center for Digital Art (IL)<br \/>\nDocumenta 12, Kassel (DE)<br \/>\nOctobre. Uscita, desiderio e memoria \/October. Exit, Wish and Memory, Galleria Artra, Milan (IT)<br \/>\nKonceptualna umetnost \u2013 arhiv dokumenata, informacija i umetni\u010dkih dela: 1968 \u2013 2007 \/ Conceptual Art \u2013 Document, Information and Artefacts Archives, Muzej savremene umetnosti Vojvodine, Novi Sad (HR)<\/p>\n<p>2006<br \/>\nKontakt\u2026 aus der Sammlung der Erste Bank Gruppe \/ Contact\u2026Works from the Collection of Erste Bank Group, Museum moderner Kunst, Vienna (AT)<br \/>\nFinalna izlo\u017eba, prvi turnus \u2013 Ekonomije me\u0111u nama \/ Final Exhibition \u2013 Economies among us, Galerija Nova, Zagreb (HR)<br \/>\nPrekinjene zgodovine \/ Interrupted histories, Moderna galerija, Ljubljana (SL)<br \/>\nZones of Contact, 15th Biennale of Sydney, Sydney (AU)<br \/>\nWhat are What we are, Galeria Noua, Bucharest \/ Vagyunk, akik vagyunk, 2 B Gal\u00e9ria, Budapest (HU)<br \/>\nSexy Mythos, Neue Gesellschaft f\u00fcr Bildende Kunst, Berlin (DE) \/ Forum Stadtpark, Graz (AT) \/ Galerie der Hochschule f\u00fcr Grafik und Buchkunst, Leipzig (DE)<br \/>\nWork, Glucksman Gallery University College Cork, Cork (IE)<br \/>\nFluxus, Happening, Kontextkunst, Neue Galerie, Graz (AT)<br \/>\nGray Zones, CCCE Art, Dum umeni mesta Brna, Brno (HR)<br \/>\nO nepoznatim radovima \/ On the Unknown Works, Galerija Nova, Zagreb (HR)<br \/>\nAvtorska knjiga umetnika \/ Artist\u2019s Books, Galerija P74, Ljubljana (SL)<br \/>\nEsenca \u017eivljenja umetnosti \/ Essence of Life, Moderna galerija, Ljubljana (SL) \/ Kaiser\u0161tejnsky palac, Prague \/ The State Museum, St. Petersburg (RU)<br \/>\nHidden Hi\/stories \u2013 Remapping Mozart, Brick 5, Vienna (AT)<br \/>\n2000 + 23 ArtEast razstava \u2013 zbirka \/2000 + 23 ArtEast Collection, Moderna galerija, Ljubljana (SL)<br \/>\nUmetnost, \u017eivot i konfuzija, 47. oktobarski salon \/ Art, Life and Confusion, 47th October Salon , Belgrade (RS)<br \/>\nWork, Ormeau Baths Gallery, Belfast (IE)<br \/>\nNormalizacija \/ Normalization, Galerija Nova, Zagreb (HR)<br \/>\nDataesthetics, Galerija Nova, Zagreb (HR)<\/p>\n<p>2005<br \/>\nWhatever Happened to Social Democracy?, Rooseum Provisorium, Malm\u00f6 (DK)<br \/>\nWe are What we are, Galerie Emila Filly, Muzeum mista Usti nad Labem \/ Galerija \u0160KUC, Ljubljana (SL)<br \/>\nU prvom licu \/ In the First Person, Umjetni\u010dka galerija, Dubrovnik (HR)<br \/>\nRubne posebnosti \u2013 avangardna umjetnost u regiji od 1918. do 1989. \/ Marginal Distinctiveness \u2013 Avant-garde Art in the Region from 1918 to 1989, Galerija starih i novih majstora, Vila Or\u0161i\u0107, Vara\u017edin (HR)<br \/>\nKollektive Kreativit\u00e4t \/ Collective Creativity, Kunsthalle Friedericianum, Kassel (DE)<br \/>\nArbeit \/ Work, Galerie im Taxispalais, Innsbruck (AT)<br \/>\nArbeits Haus \/ Einatmen. Ausatmen \/ Artist\u2019s House \/ Breath in, Breath out, Kunsthaus, Dresden (DE)<br \/>\nHey Europe!, Schloss Seggau, (AT)<br \/>\nRubovi i granice \/ Edges and Boundaries, HDLU Istre, Pula (HR)Galerija Ghetto, Split (HR)<br \/>\nIn Absentia \/ Absent, Centre d\u2019art Passerelle, Brest (FR)<br \/>\nWorker\u2019s Club at International Biennale of Contemporary Art, National Gallery, Prague (TR)<br \/>\nStaviti na javnu raspravu, Operacija: Grad \/ To be put up for a Public Debate, Operation: City, Stara tvornica Badel, Zagreb (HR)<br \/>\nEssence of Life, Ludwig Muzeum, Budapest (HU)<br \/>\nMemory Lane, Goethe Institute, Istanbul (TR)<br \/>\nInsert \/ Insert, Muzej suvremene umjetnosti, Zagreb (HR)<br \/>\nProject Migration, K\u00f6lnischer Kunstverein, Cologne (DE)<br \/>\nHidden Rhythms, Museum het Valkhof, Nijmegen (NE)<br \/>\nHrvatska umjetnost 1800 \u2013 2000 \/ Croatian Art 1800 \u2013 2000, Moderna galerija, Zagreb (HR)<\/p>\n<p>2004<br \/>\nNew Video \u2013 New Europe \u2013 A Survey of Eastern European Video, The Renaissance Society, Chicago (US)\/ Tate Modern, London (UK) \/ Contemporary Art Museum St. Louis, St. Louis (US)<br \/>\nNew Europe and the Balkans, Stills Gallery, Edinburgh (UK)<br \/>\nThe Balkans \u2013 A Crossroad to the Future, Arte Fiera 2004, Bologna (IT)<br \/>\nU prvom licu \/In the First Person, Galerija PM, Zagreb (HR)<br \/>\nParallel Movements, Filme und Videos aus dem (post)socialistischen Europa 1960\u20131989 \/ Film and Video from (Post)Socialist Europa, Film Museum, Tanzquartier, Wien (AT)<br \/>\nImagine Limerick, Limerick City Gallery of Art, Limerick (IR)<br \/>\nAtelier Europa: Eine kleines postfordisches Drama \/ Atelier Europe: Small Post-ford Drama, Kunstverein, Munich (DE)<br \/>\nTrebam radikalnu promjenu \/ I Need a Radical Change, Galerija Nova, Zagreb (HR)<br \/>\nShop-window, Multimedia Club \u201cAtelier I\u201d, Pore\u010d (HR)<br \/>\nLove it or Leave it, 5 the Biennial of Cetinje, Cetinje<br \/>\nOstati ili oti\u0107i \/ Staying or Leaving, Umjetni\u010dki paviljon, Zagreb (HR) \/ Camera Austria, in Kunsthaus, Graz (AT)<br \/>\nLes collections d\u2019art moderne et contemporain \/ Collection of Modern and Contemporary Art, Centre Pompidou, Paris (FR)<br \/>\n\u010cudovi\u0161no \/ The Monstrous, Umjetni\u010dki paviljon, Zagreb (HR)<br \/>\nDe ma fen\u00e9tre \u2013 des artistes et leurs territories \/ Trough My Window \u2013 Artists and Their Territories, Ecole nationale sup\u00e9rieure des beaux-arts, Paris (FR)<br \/>\nWir sind wer Wir sind \/ We are What we are, Minoriten Galerien, Graz; Galeria J\u00e1na Koniarka, Trnave (SL)<br \/>\nThe First Balkan Biennial \u2013 Cosmopolis 1: Microcosmos X Macrocosmos, The State Museum of Contemporary Art, Thessaloniki (GR)<br \/>\nA New Past, Marrionnier Art Center, Insa Art Space, Seoul (KO)<\/p>\n<p>2003<br \/>\nDer kreative Imperativ \/ Be Creative!, Museum f\u00fcr Gestaltung, Z\u00fcrich (CH)<br \/>\nBy the Way, Studio Ra\u010di\u0107, Zagreb (HR)<br \/>\nImaginary Balkans, Cornerhouse, Oxford (UK)<br \/>\nBlut und H\u00f6nig \u2013 Zukunft ist am Balkan \/ Blood and Honey \u2013 Future\u2019s in the Balkans, Sammlung Essl, Klosterneuburg (AT)<br \/>\nSistemi individuali \/Individual Systems \u2013 50 Biennale di Venezia, Arsenale, Venice (IT)<br \/>\nLittlePeephole,Goethe Institute and Galerija Minima in HDLU, Zagreb (HR)<br \/>\nInventar \/ Inventory, Galerija Nova, Zagreb (HR)<br \/>\nIn den Schluchten des Balkan \u2013 Eine reportage \/In the Gorges of the Balkans \u2013 A Report, Kunsthalle Fridericianum, Kassel (DE)<br \/>\nCynical Culture, Galerie Sch\u00fcppenhauer, Cologne (DE)<br \/>\nParallel Actions \u2013 Conceptual Tendencies in Central European Art from 1965 to 1980, Austrian Cultural Forum, New York (US)<br \/>\nKosova galerija, Pristina (KO)<\/p>\n<p>2002<br \/>\nAn Artists who does not speak English is not an Artist, Kunstihoone Fond, Tallinn (EE)<br \/>\nOut of Print, Mednarodni grafi\u010dni likovni center, Ljubljana (SL)<br \/>\nProject: Broadcasting, Tehni\u010dki muzej, Zagreb (HR)<br \/>\n2000+ ArtEast Collection, Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe (DE)<br \/>\nThe Misfits, Art Moscow, Moscow \/ Muzej na sovremenata umetnost, Skopje \/ Kunstamt Kreutzberg Bethanien, Berlin (DE)<br \/>\nHere Tomorrow, Muzej suvremene umjetnosti, Zagreb (HR)<br \/>\nIn Search of Balkania, Neue Galerie, Graz (AT)<br \/>\nPoetry of the Winds \u2013 Flag art festival, World Cup Park, Seoul (KR)<\/p>\n<p>2001<br \/>\nGrupa \u0161estorice umjentika \/ Group of Six Artists, Moderna galerija, Ljubljana (SL)<br \/>\nAn Artist who does not Speak English is not an Artist, Knoll Galeria, Budapest (HU)<br \/>\nVor-Sicht R\u00fcck-Sicht \/ Watch your Front \u2013 watch your Back, 8 Treinnele Kleinplastik, Fellbach (AT)<br \/>\nWhat, How and for Whom, VVuk, Kunsthalle Exnergasse, Wien (AT)<br \/>\nIspri\u010dati pri\u010du \/ To Tell the Story, Muzej suvremene umjetnosti in Gliptoteka, Zagreb (HR)<br \/>\nPM 20 (1981 \u2013 2001), HDLU, Zagreb (HR) \/ Umjetni\u010dka galerija, Dubrovnik (HR)<br \/>\nVidjeti vrijeme \/ To See the Time, Umjetni\u010dki paviljon, Zagreb (HR)<br \/>\n2000+ ArtEast Collection, Orangerie Congress, Innsbruck (AT)<br \/>\nAusgetr\u00e4umt \/ Dream is over&#8230;, Secession, Vienna (AT)<\/p>\n<p>2000<br \/>\nAfter the Wall, Hamburger Bahnhof, Berlin (DE)<br \/>\nAspekte \/ Positionen \u2013 50 JahreKunst azs Mitteleuropa 1949 \u2013 1999 \/ Aspects \/ Positions \u2013 50 Years of Art in Central Europe, Ludwig Museum, Budapest (H)\/ Fundacio Mir\u00f3, Barcelona (S)\/ Hansard Gallery, Southampton (UK)<br \/>\nThe Road to Meikle Seggie, City Art Centre, Edinburgh (UK)<br \/>\nNi\u010dvredno (Neprecenljivo) \/ Worthless (Invaluable), Moderna galerija, Ljubljana (SL)<br \/>\n\u0160to, kako i za koga\u2013 povodom 152. godi\u0161njice Komunisti\u010dkog manifesta \/ What, How and for Whom \u2013 on the occasion of the 152nd anniversary of the Communist Manifesto, HDLU, Zagreb (HR)<br \/>\n2000+ ArtEast Collection, Moderna galerija, Ljubljana (SL)<br \/>\nS umjetnicima na kavi \/ Having Coffee with Artists, Galerija Kortil, Rijeka (HR)<br \/>\nChinese Whispers, Apex Art C.P., New York (US)<br \/>\nCommunication, Kunstverein, Aschersleben (DE)<br \/>\nIzbor iz zbirke Franjeva\u010dke galerije Muzeja na \u0160irokom Brijegu \/ From the Franciscan Monastery Collection, Galerija Ra\u010di\u0107, Zagreb (HR)<\/p>\n<p>1999<br \/>\nGroup \u0161estorice autora \/ Group of Six Artists, SCCA in Kortile, Rijeka (HR) (HR)<br \/>\nAfter the Wall, Moderna Museet, Stockholm \/ Ludwig Museum, Budapest (HU)<br \/>\nAspekte \/ Positionen \u2013 50 JahreKunst aus Mitteleuropa 1949 \u2013 1999 \/ Aspects \/ Positions \u2013 50 Years of Art in Central Europe, Museum moderner Kunst SLW, Wien (AT)<br \/>\nPanorama \u2013 Hrvatski fotosavez 1939 \u2013 1999, Umjetni\u010dki paviljon, Zagreb (HR)<br \/>\nStrategija citata u umjetnosti 80-ih i 90-ih \/ Strategy of Art Quotationst in the 1980s and 90s, Plavi salon, Galerija umjetnina Narodnog muzeja, Zadar (HR)<br \/>\nFluxus, Muzej suvremene umjetnosti, Zagreb (HR)<\/p>\n<p>1998<br \/>\nEat!, Museum of Contemporary Art, Sydney (AU)<br \/>\nNuevo Arte de Croacia \/ New Croatian Art,Museu de Arte Contempor\u00e2nea da Universidada de S\u00e3o Paulo (ES)<br \/>\nGroup \u0161estorice autora \/ Group of Six Artists, SCCA in HDLU, Zagreb (HR) \/ HDLU, Split (HR)<br \/>\nRemanence, Former Magistrates\u2019 Court, Melbourne Festival, Melbourne (AU)<br \/>\nKnjiga i dru\u0161tvo \/ Book and Society, Attack and Igor Grubi\u0107, Floral Square, Zagreb (HR)<\/p>\n<p>1997<br \/>\nNuevo Arte de Croacia \/ New Croatian Art, Museo de Arte Contemporaneo, Santiago de Chile \/ Museo de Arte Contemporaneo, Valdiva (CHI) \/ Museo Nacional de Belles Artes, Buenos Aires, (ARG) Centri Simon I. Patino, Cohamba (BO)<br \/>\nStrategija: Izazov \/ Strategy: Provocation \u2013 37th Annual, Istarska sabornica, Pore\u010d (RS) \/ HDLU, Zagreb (HR)<\/p>\n<p>1996<br \/>\nOdsutnost \/ Absence \u2013 36th Annual, Istarska sabornica, Pore\u010d \/ HDLU, Zagreb (HR)<br \/>\nLions Grand Prix, Muzej za umjetnost i obrt, Zagreb (HR)<br \/>\nArt Gallery of NSW Collection, Art Gallery of NSW, Sydney (AU)<\/p>\n<p>1995<br \/>\nGalerija Anonimus, Ljubljana (SL)<\/p>\n<p>1994<br \/>\nNaturally \u2013 Nature and Art in Central Europe, Ernst Muzeum, Budapest (HU)<br \/>\nKunst und Krieg \/ Art and War, Kronungsaal, Aachen (DE)<br \/>\nIzlo\u017ebana temu  jela i pi\u0107a 2 \/ Exhibition on Food and Drinks 2nd, Galerija pro\u0161irenih medija, Zagreb (HR)<br \/>\nA Casa \/ At Home, Padiglione Croato, Venice (IT)<br \/>\n125 vrhunskih djela hrvatske umjentosti \/ 125 Masterpieces of Croatian Art, HDLU, Zagreb (HR)<br \/>\nKeep that Frequency Clear, HDLU, Zagreb (HR)<br \/>\nPrera\u0111ena materija \/ Reworked Material, 34th Annual, Istarska sabornica, Pore\u010d (RS)<br \/>\nEurope Rediscovered, M\/F Kronborg, Copenhagen (DK)<br \/>\nRije\u010di i slike \/ Words and Images, SCCA in Muzej suvremene umjetnosti, Zagreb (HR)<\/p>\n<p>1993<br \/>\nHrvatska fotografija od 1950  do danas \/ Croatian Photography from 1950 onwards, Muzej suvremene umjetnosti, Zagreb (HR)<br \/>\nNSK Embassy, Opus Operandi, Ghent (NL)<br \/>\nThe Horse who Sings \u2013 Radical Art from Croatia, Museum of Contemporary Art, Sydney (AU)Galerija Dante Marino Cettina, Umag (HR)<br \/>\nNew Identities \u2013 The New Europe, Pittsburgh Center for Arts, Pittsburgh (US)<br \/>\nZagreb (HR) and Copenhagen, M\/F Kronborg, Copenhagen \/ Muzej suvremene umjetnosti in HDLU, Zagreb (HR)<br \/>\nNova hrvatska umjetnost \/ New Croatian Art, Moderna galerija, Zagreb (HR)<\/p>\n<p>1992<br \/>\nNSK Embassy, Lenin Prospect 12, Moscow (RU)<br \/>\nIdentit\u00e4t: Differenz \u2013 Trib\u00fcne Trigon 1940 \u2013 1990, Eine Topografie der Moderne \/ Identity: Difference \u2013 Trigon 1940 \u2013 1990, Neue Galerie, Graz (AT)<br \/>\nThe Boundery Rider, 9th Biennale of Sydney, Art Gallery of New South Wales, Sydney (AU)<\/p>\n<p>1991<br \/>\nSlovenske Atene \/ Slovenian Athens, Moderna galerija, Ljubljana (SL)<br \/>\nThe Interrupted Life, New Museum of Contemporary Art, New York (US)<br \/>\nK\u00fcnstler f\u00fcr die Frieden \/ Artists for Freedom, Galerie Ingrid Daci\u0107, Tubingen (DE)<\/p>\n<p>1990<br \/>\nCorn Exchange: Crossing Over, Brighton (UK)<br \/>\nIzlo\u017eba u Martekovu dvori\u0161tu \/ Exhibition in Martek\u2019s Courtyard, Konj\u0161\u010dinska 40, Zagreb (HR)<br \/>\nZeichen im Fluss \/ Signs in Flux, Museum des 20 Jahrhunderts, Wien \/ Galerie hl. Mesta Prahy, Prague \/ Galeria Pecsi, Pecs, Muzej suvremene umjetnosti in Muzej revolucije naroda Hrvatske, Zagreb (HR)<br \/>\nFra Yu Kult, Franjeva\u010dki samostan, \u0160iroki Brijeg \/ The 369 Gallery, Edinburgh (UK)<br \/>\nMoskovski portreti \/ Moscow Portraits, Muzej suvremene umjetnost, Zagreb (HR) \/ Mestna galerija, Ljubljana (SL)<br \/>\n50. Ausstellung der Galerie \/ 50th Exhibition of the Gallery, Galerie Ingrid Daci\u0107, Tubingen (DE)<\/p>\n<p>1989<br \/>\nWechselbeziehungen \/ Correlations, Galerie Linssen, K\u00f6ln (DE)<br \/>\nPM 1981 \u2013 1989 \u2013 Recentni radovi \/ PM 1981 \u2013 1989 \u2013 Recent Works, Galerija Karas, Zagreb (HR) \/ Lazareti, Dubrovnik \/ Collegium Artisticum, Sarajevo (BA)<br \/>\nScene jezika \/ Scenes of Language, Galerija ULUS, Belgrade (RS)<br \/>\nUmjetnost za i protiv \/ Art for and against, Umjetni\u010dka galerija, Banja Luka (SL)<\/p>\n<p>1987<br \/>\nJugoslovenska Dokumenta 87 \/ Yugoslav Documenta 87, Skenderija, Sarajevo (TR)<\/p>\n<p>1986<br \/>\nU susret Muzeju suvremene umjetnosti \/ Toward Museum of Contemporary Art, Muzejski prostor, Zagreb (HR)<br \/>\nUmjetnost \u2013 kritika usred osamdesetih \/ Art \u2013 Criticism in the Mid-1980s, Collegium Artisticum, Sarajevo (TR)<br \/>\nZagreb a\u0161ki kritik izbira avtorje \/ Selection by Art Critic from Zagreb (HR), Mestna galerija, Ljubljana (SL)<br \/>\nSamotnjaci \/ Loners, Umjetni\u010dka galerija, Banja Luka (BA)<\/p>\n<p>1985<br \/>\nKontrakulturni pokret u hrvatskoj umjetnosti \u2013 Situacija:  Grupa \u0161estorice autora (1975 \u2013 1978) \/ Counter-cultural Movement in Croatian Art \u2013 Situation:  Group of Six Artists (1975 1978), Galerija Karas, Zagreb (HR)<br \/>\nDu\u0107ani kulture u naselju Sopot \/ Culture Shops in Sopot, Zagreb (HR)<\/p>\n<p>1984<br \/>\nPrema ruskoj avangardi \/ Toward Russian avant-garde, Galerija PM, Zagreb (HR)<\/p>\n<p>1983<br \/>\n3 situacije: slika \/ fotografija \/ urbanizam \u2013 arhitektura \/ 3 Situations: Paining \/ Photographs \/ Urbanism \u2013 Architecture, Galerija Koprivnica, Koprivnica (HR)<\/p>\n<p>1982<br \/>\nInovacije u hrvatskoj umjetnosti sedamdesetih godina \/ Innovation in 1970s Croatian Art, Galerija suvremene umjetnosti, Zagreb (HR) \/ Collegium Artisticum, Sarajevo (BA) \/ Muzej  savremene umetnosti, Belgrade (RS)<br \/>\nNew Tendencies in Yugoslav Art, Galerie Dales, Bucarest (RO) \/ Kulturcentrum Philips, Eindhoven(NE)\/ Galeria Zaheta, Warsaw, Galeria Avangarda, Wroclaw (PO)<br \/>\nOd monokromije do novog ekspresiviteta \/ From Monochrome to a New Expressiveness, Galerija Karas, Zagreb (HR)<br \/>\nIzlo\u017eba i projekcija filmova \/ Exhibition and Flms Projection, Group of Six Artists, Galerija PM, Zagreb (HR)<br \/>\nMedijska kultura i suvremena umjetni\u010dka praksa \/ Media Culture and Contemporary Art Practice, 11. plavi salon, Zadar (HR)<\/p>\n<p>1981<br \/>\nExhibition \u2013 Action, RZU Podrum, passage Siget, Novi Zagreb (HR)<br \/>\n10 godina SKC-a \/ 10 years of SKC, Galerija SKC, Belgrade (RS)<br \/>\nExhibition \u2013 Action \u2013 Projections, Galerija SKUC, Zagreb (HR)<br \/>\nExhibition of RZ Podrum, Galerija \u0160KUC, Ljubljana (SL)<br \/>\nSajam \/ Fair, Floral Square, Zagreb (HR)<br \/>\nK\u00fcnstlerb\u00fccher \/ Artists\u2019 books, Kunstverein, Frankfurt (DE)<br \/>\nTrigon 81, Neue Galerie, Graz (AT)<br \/>\nS onu stranu estetike \/ Beyond Aesthetics, Hrvatsko filozofsko dru\u0161tvo i Galerija SC, Zagreb (HR)<br \/>\nInstant polaroid \/ Instant Polaroid, Galerija \u0160KUC, Ljubljana (SL)<br \/>\n13. salon mladih \/ 13th Youth Salon, Umjetni\u010dki paviljon, Zagreb (HR)<\/p>\n<p>1980<br \/>\nIzlo\u017eba na temu jela i pi\u0107a \/ Exhibition on Food and Drinks, Podrum, Zagreb (HR)<br \/>\nNova fotografija 3 \/ New Photography 3 \/ Salon Muzeja savremene umetnosti, Belgrade (RS) \/ Razstavni salon Rotov\u017e, Maribor (SL)<br \/>\nPlakat \/ Poster, Galerija SKC, Belgrade (RS)<br \/>\nExhibition \u2013 Action, Group of Six Artists and RZU Podroom, Filozofski fakultet, Zagreb (HR)<br \/>\nFotografija kao umjetnost \u2013 umjetnost kao fotografija \/ Photography as Art \u2013 Art as Photography, Galerija suvremene umjetnosti (Cefft), Zagreb (HR)<br \/>\nPolaroid, Galerija Sre\u0107na nova umetnost, Belgrade (RS)<br \/>\nIzlo\u017eba razglednica, pozivnica, ideja\u2026 \/ Exhibition of Postcards, Invitation Cards, Ideas\u2026, Galerija Sre\u0107na nova umetnost, Belgrade (RS)<br \/>\n15. Internationale Malerwochen \/15th International Workshop of Painters, Neue Galerie, Graz (AT)<\/p>\n<p>1979<br \/>\nSekvence \/ Sequences, Galerija SKUC, Belgrade (RS) \/ Centar MM, Zagreb (HR)<br \/>\nVrijednosti \/ Values, Podrum, Zagreb (HR)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists, Ekonomski fakultet, Zagreb (HR)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists and RZ Podrum, Studentski centar, Zagreb (HR)<br \/>\nGroup of Artists from Zagreb (HR), Atelier \u010cada, Frankfurt (DE)<br \/>\nTeme i funkcije medija fotografije \/ Theme and functions of Photography, Muzej savremene umetnosti, Belgrade (RS)<br \/>\nWorks and Words, De Appel, Amsterdam (NL)<br \/>\nExperimenal films, Stedelijk Museum, Amsterdam (NL)<br \/>\n9. jesenji salon \/ 9th Autumn Salon, Izlo\u017ebeni salon Doma kulture, Banja Luka (BA)<br \/>\n11. salon mladih \/ 11th Youth Salon, Umjetni\u010dki salon, Zagreb (HR)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists and RZU Podroom, former Republic Square, Zagreb (HR)<br \/>\nAkvizicije \/ Art Acquisitions, Galerija suvremene umjetnosti, Zagreb (HR)<br \/>\nExhibitions \u2013 Actions RZ Podroom, Galerija Koprivnica, Koprivnica (HR)<br \/>\nNova fotografija 3 \/ New Photography 3, Galerija suvremene umjetnosti (Cefft), Zagreb (HR)<\/p>\n<p>1978<br \/>\nExhibitions \u2013 Actions, Group of Six Artists \u2013 Stavovi povodom rada \u2013 unutar grupe \/ Opinions on the Work \u2013 within the Group, Galerija SKC, Belgrade (RS)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists \u2013 Usmena predaja \/ Oral Transmission, Galerija Nova, Zagreb (HR)<br \/>\nVideo (Brdo), Galeria Krinzinger, Innsbruck (AT)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists, Piazza dell\u2019Accademia and Piazza San Marco, Venice (IT)<br \/>\nZa umjetnost u umu \/ For Art in the Mind, Podrum, Zagreb (HR)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists \u2013 Life Art, Galerija SKC, Belgrade (RS)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists, Vo\u0107arska 5, Zagreb (HR)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists, former Republic Square, Zagreb (HR)<br \/>\n6. motovunski susreti \/ 6th Motovun Meetings, Motovun (HR)<br \/>\n2. nova izlo\u017eba u Podrumu \/ 2nd New Exhibition at Podroom, Zagreb (HR)<br \/>\nRadovi u Podrumu \/ Works in Podrum: Group of Six Artists \u2013 Uvid u dokumentaciju \/ Introduction into the Documentation, Podrum, Zagreb (HR)<br \/>\nNova umjetni\u010dka praksa 1966 \u2013 1978 \/ New Art Practice 1966 \u2013 1978, Galerija suvremene umjetnosti, Zagreb (HR)<br \/>\nPlakati \u2013 radovi umetnika \/ Posters \u2013artists\u2019 works, Salon Muzeja savremene umetnosti, Belgrade (RS) \/ Salon Tribine mladih, Novi Sad (RS)<br \/>\nArtwords and Bookworks, Los Angeles Institute of Contemporary Arts, Los Angeles \/ Artist\u2019s Space, New York (US) \/ Herron School of Art, Indianapolis \/ New Orleans Contemporary Art Center, New Orleans (US)<br \/>\nOtkup umjetnina 1977 \/ Art Acquisitions 1977, Umjetni\u010dki paviljon, Zagreb (HR)<\/p>\n<p>1977<br \/>\nOtkup umjetnina 1976 \/ Art Acquisitions 1976, Umjetni\u010dki paviljon, Zagreb (HR)<br \/>\nUmetnost, ironija itd. \/ Art, Irony, etc.\u2026, Galerija, SKC, Belgrade (RS)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists, Filozofski fakultet, Zagreb (HR)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists, Filozofski fakultet, Belgrade (RS)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists, Galerija SKC, Belgrade (RS)<br \/>\nExhibitions \u2013 Actions 1975 \u2013 1977, Group of Six Artists, Galerija suvremene umjetnosti (Cefft), Zagreb (HR)<br \/>\n6. aprilski susreti \/ 6th April Meetings, Belgrade (RS)<br \/>\n5. Belgrade (RS)ski trijenale \/ 5th Belgrade (RS) Triennial, Belgrade (RS)<br \/>\n5. motovunski susreti \/ 5th Motovun Meetings, Motovun Video Galerie Krinzinger, Galerija SKC Belgrade (RS)<br \/>\nAvanguardia e sperimentazione \u2013 le piu avanzate richerche artistiche jugoslave \/ Avantgarde and Experimentation in Yugoslavia, Galleria civica d\u2019arte moderna, Modena (IT)<br \/>\n10e Biennale de Paris, Mus\u00e9e d\u2019art moderne de la ville de Paris (FR)<br \/>\nU\u010desnici iz Jugoslavije na 10. pari\u0161kom Biennalu \/ Yugoslav Artists at the 10th Paris Biennial, Galerija Sre\u0107na nova umetnost, Belgrade (RS)<br \/>\nInovacije \/ Innovations, Galerija Kras, Zagreb (HR)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists, Studentski centar, Zagreb (HR)<br \/>\nExhibitions \u2013 Actions, Group of Six Artists, passage Neboder, Zagreb (HR)<\/p>\n<p>1976<br \/>\nRadovi na papiru \/ Works on Paper, Galerija doma omladine, Belgrade (RS)<br \/>\nExhibition \u2013 Action, Group of Six Artists, 5. aprilski susreti \/ 5th April Meetings, Belgrade (RS)<br \/>\nNova Footografija 2 \u2013 Fotografija kao umjetnost \/ New Photography 2nd \u2013 Photography as Art, Galerija suvremene umjetnosti (Cefft), Zagreb (HR) \/ Salon Muzeja savremene umetnosti, Belgrade (RS) \/ Razstavni salon Rotov\u017e, Maribor (SL)<br \/>\nExhibition \u2013 Action, Group of Six Artists, a walk through Zagreb (HR)<br \/>\nOtisci \/ Prints, Galerija Nova, Zagreb (HR) \/ Galerija SKC, Belgrade (RS)<br \/>\nExhibition \u2013 Action, Group of Six Artists, on the beach in Mo\u0161\u0107eni\u010dka Draga (HR)<br \/>\nFotografija \/Photography, Galerija Nova, Zagreb (HR)<br \/>\nKonfrontacije \/ Confrontations, Galerija suvremene umjetnosti (Cefft), Zagreb (HR)<br \/>\nMladi sineasti \/ Young Filmmakers, Galerija suvremene umjetnosti (Cefft), Zagreb (HR)<br \/>\nPlakati \/ Posters, Galerija Sre\u0107na nova umetnost, Belgrade (RS)<br \/>\nNowoczesna sztuka Jugoslavii \/ New Art in Yugoslavia, Galeria Wsp\u00f3lcszesna, Warsaw (PO)<\/p>\n<p>1975<br \/>\n4. aprilski susreti \/ 4th April Meetings, SKC, Belgrade (RS)<br \/>\n4. aprilski susreti \/ 4th April Meetings, (with F.A.V.I.T.), films, SKC, Belgrade (RS)<br \/>\nExhibition \u2013 Action, Group of Six Artists, the public baths on the river Sava, Zagreb (HR)<br \/>\nExhibition \u2013 Action, Group of Six Artists, Sopot, Zagreb (HR)<br \/>\nExhibition \u2013 Action, Group of Six Artists, Jesuit Square, Zagreb (HR)<br \/>\nTeror slike \/ Terror of Images \/ MAFAF (with F.A.V.I.T.), Pula (HR)<br \/>\nExhibition \u2013 Action, Group of Six Artists, former Republic Square, Zagreb (HR)<\/p>\n<p>1974<br \/>\n3. aprilski susreti \/ 3rd April Meetings, SKC, Belgrade (RS) (with F.A:V.I.T.)<br \/>\nFotografije \/ Photographs, Zagreb (HR) Film Days (ZAGFIDA), Town Library, Zagreb (HR)<\/p>\n<p>1973<br \/>\n2. aprilski susreti \/ 2nd April Meetings, SKC, Belgrade (RS) (with F.A.V.I.T.), films<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mladen Stilinovi\u0107 (1947 &#8211; 2016) He has been exhibiting since 1974. 1969 &#8211; 1976 worked in experimental cinema 1975 &#8211; 1984 member of the Group of Six Artists &#8212; SELECTED INDIVIDUAL EXHIBITIONS 2022 Red\/Pink: Reflections on Colour, Nova Gallery, Zagreb, Croatia 2021 Word Images: Mangelos \u2013 Mladen Stilinovi\u0107, 1MIRA Madrid, Madrid, Spain Mladen Stilinovi\u0107: A [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":379,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1649","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/pages\/1649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/comments?post=1649"}],"version-history":[{"count":50,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/pages\/1649\/revisions"}],"predecessor-version":[{"id":4496,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/pages\/1649\/revisions\/4496"}],"up":[{"embeddable":true,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/pages\/379"}],"wp:attachment":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/media?parent=1649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}