{"id":3807,"date":"2020-12-14T21:54:41","date_gmt":"2020-12-14T20:54:41","guid":{"rendered":"http:\/\/www.zavod-parasite.si\/eng\/?p=3807"},"modified":"2022-06-21T12:07:42","modified_gmt":"2022-06-21T11:07:42","slug":"vi-blind-date-convention-2020","status":"publish","type":"post","link":"https:\/\/arhiv.zavod-parasite.si\/eng\/archives\/3807","title":{"rendered":"VI. Blind Date Convention 2020"},"content":{"rendered":"<p>The publishers and the authors present<\/p>\n<p><!--more--><\/p>\n<p>This year we are deprived of the Artist Book Fair, so we are offering an alternative form of presentations of the Artist Books in an online format. The participants are:<br \/>\n<strong>Nevena Aleksovski<\/strong>, <strong>Look Back and Laugh<\/strong>, <strong>Mina Fina<\/strong>, <strong>Simon Kocjan\u010di\u010d<\/strong>, <strong>Rostfrei Publishing<\/strong>, <strong>The Angry Bat<\/strong>, <strong>Jaka Vatovec<\/strong>, <strong>Tadej Vaukman<\/strong>, <strong>Sergej Vutuc<\/strong>, <strong>P.A.R.A.S.I.T.E. Institute<\/strong>.<br \/>\nWe are in mid-December and it is time for you to actively support young artists.<br \/>\nMore on: <strong><a href=\"https:\/\/fb.me\/e\/NfMNeIX9\">Blind Date 2020<\/a><\/strong><\/p>\n<p>__________________<\/p>\n<p><strong><img decoding=\"async\" class=\"alignnone size-full wp-image-5072\" src=\"http:\/\/arhiv.zavod-parasite.si\/slo\/wp-content\/uploads\/2020\/12\/N.-Aleksovski-the_island_zin.jpg\" alt=\"\" width=\"500\" \/><\/strong><\/p>\n<p><strong>Nevena Aleksovski<\/strong><br \/>\nThe Island, 2020<br \/>\n12 pages, 260 mm x 190 mm, 30 copies, self-publishing<br \/>\nPrice: 10 \u20ac<br \/>\nSales contact: <a href=\"mailto:nevena.aleks@gmail.com\">nevena.aleks@gmail.com<\/a><br \/>\nIG: @nevena.aleksovski<\/p>\n<p>This zine, <em>The Island<\/em>, was created during my residency at Skalinada artist in residence on the island of Krk. It consists of twelve pages of minimalist drawings, fragmented notes and photo collages inspired by the sea, the sun, rocks, swimsuits, PMS, and solitude.<\/p>\n<p>__________________<\/p>\n<p><strong><img decoding=\"async\" class=\"alignnone size-full wp-image-5075\" src=\"http:\/\/arhiv.zavod-parasite.si\/slo\/wp-content\/uploads\/2020\/12\/Look-Back-and-Laugh.jpg\" alt=\"\" width=\"500\" \/><\/strong><\/p>\n<p><strong>Look Back and Laugh<\/strong><br \/>\nCOLLECTIVE OF SIGHS, 2020<br \/>\n48 pages, 180 mm x 260 mm, 300 copies, publisher: Look Back and Laugh<br \/>\nPrice: 20 \u20ac<br \/>\nCo-publisher: Museums and Galleries of Ljubljana<br \/>\nSales contact: <a href=\"mailto:lbalbooks@gmail.com\">lbalbooks@gmail.com<\/a><br \/>\nIG: @lbalbooks<\/p>\n<p>A collective sigh is a sigh shared by at least two or more people. The book was conceived as an attempt at artistic reflection of 2020 and the consequences of a global pandemic. Participants in the book: Tja\u0161a Cizej, Marko K. Gavez, Klemen Ilovar, Jurij Lozi\u010d, LeaLudvik, Bor Kokelj, Ema Kobal, Matija Medved, Miha Perne, NezPez, Nejc Prah, Sangara Perhaj, Dorijan \u0160i\u0161ko, Ga\u0161per Ur\u0161i\u010d, Jaka Vatovec, Tadej Vaukman, Sonja Vulpes, Luna Woelle, Leon Zuodar.<\/p>\n<p>__________________<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5076\" src=\"http:\/\/arhiv.zavod-parasite.si\/slo\/wp-content\/uploads\/2020\/12\/Mina-Fina_THIS-IS-MY-LOVE.jpg\" alt=\"\" width=\"500\" \/><\/p>\n<p><strong>MINA FINA<\/strong><br \/>\nTHIS IS MY LOVE, NOBODY CAN CHOOSE IT FOR ME, 2019<br \/>\n36 pages, 210 mm x 297 mm, 100 copies, publisher: Look Back and Laugh<br \/>\nPrice: 20 \u20ac<br \/>\nSales contact: <a href=\"mailto:mina.zabnikar@gmail.com\">mina.zabnikar@gmail.com<\/a><br \/>\nIG: @mina_fina<\/p>\n<p>In her new book, Mina Fina continues to explore the image and representations of the female body. Through her interventions in photographs from old erotic magazines, she questions the normative of body acceptance and places it into abstract compositions that are half drawings, half collages.<\/p>\n<p>__________________<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5079\" src=\"http:\/\/arhiv.zavod-parasite.si\/slo\/wp-content\/uploads\/2020\/12\/Simon-Kocjancic.jpg\" alt=\"\" width=\"500\" \/><\/p>\n<p><strong>Simon Kocjan\u010di\u010d<\/strong><br \/>\nWhat I do is secret, 2019<br \/>\n40 pages, 260 mm x190 mm, 30 copies, self-publishing<br \/>\nPrice: 10 \u20ac<br \/>\nSales contact: <a href=\"mailto:simon.kocjancic@gmail.com\">simon.kocjancic@gmail.com<\/a><br \/>\nIG: @simonkocjancic<\/p>\n<p>The zine contains photos. Originally made in colour, analogue.<br \/>\nOver a period of ten years. In various homes.<br \/>\n__________________<\/p>\n<p><img decoding=\"async\" class=\"size-full wp-image-5077\" src=\"http:\/\/arhiv.zavod-parasite.si\/slo\/wp-content\/uploads\/2020\/12\/Opium-Clippers-Neja-Tomsic-9759.jpg\" alt=\"\" width=\"500\" \/><\/p>\n<p><strong>Rostfrei Publishing<\/strong><br \/>\nNeja Tom\u0161i\u010d, OPIUM CLIPPERS, 2018<br \/>\n40 pages, 200 mm \u00d7 270 mm, box size 45 mm \u00d7 310 mm x 35 mm, 200 copies, publisher: Rostfrei Publishing<br \/>\nPrice: 42 \u20ac<br \/>\nSales contact: <a href=\"http:\/\/www.rostfreipublishing.com\" target=\"_blank\" rel=\"noopener noreferrer\">www.rostfreipublishing.com<\/a><br \/>\nIG: @rostfreipublishing<\/p>\n<p>The artist book <em>Oppium Clippers<\/em> is based on tea ceremonies through which the artist, Neja Tom\u0161i\u010d, tells stories about forgotten episodes in world history to a chosen audience while making and drinking tea. In the second half of the 18<sup>th<\/sup> and in the 19<sup>th <\/sup>century, tea and opium trade were among the most lucrative businesses in the world and were controlled by great European colonial powers and private corporations.<\/p>\n<p>__________________<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5073\" src=\"http:\/\/arhiv.zavod-parasite.si\/slo\/wp-content\/uploads\/2020\/12\/Angry-Bat.jpg\" alt=\"\" width=\"311\" height=\"372\" \/><\/p>\n<p><strong>The Angry Bat<\/strong><br \/>\nDavid Molina, Go to Become, 2018<br \/>\n96 pages, 180 mm x 220 mm, 300 copies, publisher: The Angry Bat<br \/>\nPrice: 34 \u20ac<br \/>\nSales contact: <a href=\"mailto:sitar.matej@siol.net\">sitar.matej@siol.net<\/a> or <a href=\"http:\/\/theangrybat.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">theangrybat.com<\/a><br \/>\nIG: @the_angry_bat<\/p>\n<p><em>Go to Become<\/em> is a fictional document of the Barcelona nightclub scene. Here, the use of alcohol, psychoactive substances, and the beats of techno are a way to achieve a basic state of being in which people are guided by inner instincts, like Werewolves.<\/p>\n<p>__________________<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5074\" src=\"http:\/\/arhiv.zavod-parasite.si\/slo\/wp-content\/uploads\/2020\/12\/Jaka-Vatovec.jpg\" alt=\"\" width=\"500\" \/><\/p>\n<p><strong>Jaka Vatovec<\/strong><br \/>\nEggshells, 2019<br \/>\n24 pages, 100 copies, publisher: Look Back and Laugh Books<br \/>\nPrice: 12 \u20ac<br \/>\nSales contact: <a href=\"mailto:horrid.habits@gmail.com\">horrid.habits@gmail.com<\/a><br \/>\nIG: @horrid_habits<\/p>\n<p><em>Eggshells<\/em> consists of enlarged details of various photocopied drawings. Taken from the original context, they merge into a new, disordered and illogical narrative. The book works as a visual interpretation of the proverb <em>\u201cMaking a mountain out of a molehill\u201d<\/em>.<\/p>\n<p>__________________<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-4658\" src=\"http:\/\/arhiv.zavod-parasite.si\/slo\/wp-content\/uploads\/2019\/11\/Vaukman-Pubes-2019_04.jpg\" alt=\"\" width=\"500\" \/><\/p>\n<p><strong>Tadej Vaukman<\/strong><br \/>\nPubes, 2019<br \/>\n32 pages, 210 mm x 150 mm, 25 copies, publisher: Zavod P.A.R.A.S.I.T.E.<br \/>\nPrice: 25 EUR<br \/>\nSales contact: <a href=\"mailto:p74info@zavod-parasite.si\">p74info@zavod-parasite.si<\/a><br \/>\nIG: @vaukman 585<\/p>\n<p>Tadej Vaukman in <em>Pubes<\/em> uses the same image from childhood on each page of the zin. He combines it with text. The memory of the pubertal experience opens a broader exsistential theme of the author.<\/p>\n<p>__________________<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5078\" src=\"http:\/\/arhiv.zavod-parasite.si\/slo\/wp-content\/uploads\/2020\/12\/Sergej-Vutuc.jpg\" alt=\"\" width=\"500\" height=\"500\" \/><\/p>\n<p><strong>Sergej Vutuc<\/strong><br \/>\nThere is shifting the sky repeating stairsway, again, 2019<br \/>\n40 pages, 282 mm x 194 mm, 150 copies, self-publishing<br \/>\nPrice: 30 \u20ac<br \/>\nSales contact: <a href=\"https:\/\/sergejvutuc.bigcartel.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">sergejvutuc.bigcartel.com<\/a><br \/>\nIG: @sergejvutuc<\/p>\n<p>Shifting the light, liquid, texture, in other words analogue photography, the process &#8230; looking for mistakes, unknown, lighting.<\/p>\n<p>__________________<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-5067\" src=\"http:\/\/arhiv.zavod-parasite.si\/slo\/wp-content\/uploads\/2020\/12\/Pogacar_01.jpg\" alt=\"\" width=\"500\" \/><\/p>\n<p><strong>P.A.R.A.S.I.T.E. Institute<\/strong><br \/>\nTadej Poga\u010dar, Forester. Memories lost \/ Gozdar. Izgubljeni spomin, 2020<br \/>\n40 pages, 233 mm x 164 mm, 100 copies, publisher: P.A.R.A.S.I.T.E. Institute<br \/>\nPrice: 15 \u20ac<br \/>\nSales contact: <a href=\"mailto:p74info@zavod-parasite.si\">p74info@zavod-parasite.si<\/a><br \/>\nIG: @ p74gallery<\/p>\n<p>The author used default photos from the family archives, his father\u2019s legacy. These are snapshots of everyday life, documents of hanging out with friends, joint trips, travels, images of landscapes. We do not recognize most locations, nor do we recognize people. Father\u2019s photos (photos of a forester) are a lost memory.<\/p>\n<p>__________________<br \/>\n<a href=\"http:\/\/arhiv.zavod-parasite.si\/eng\/wp-content\/uploads\/2020\/12\/Blind_date_2020_ang.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>VI. Blind Date Convention 2020<\/strong><\/a> (pdf)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The publishers and the authors present<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3807","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/posts\/3807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/comments?post=3807"}],"version-history":[{"count":5,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/posts\/3807\/revisions"}],"predecessor-version":[{"id":4333,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/posts\/3807\/revisions\/4333"}],"wp:attachment":[{"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/media?parent=3807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/categories?post=3807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arhiv.zavod-parasite.si\/eng\/wp-json\/wp\/v2\/tags?post=3807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}